080026 PS Case Study II/III: Art in Paris: 1918-1939 (2025S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Tu 18.02.2025 10:00 to Tu 25.02.2025 10:00
- Deregistration possible until Mo 10.03.2025 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Tuesday 11.03. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 25.03. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 08.04. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 06.05. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 20.05. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 03.06. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 17.06. 09:00 - 12:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
Information
Aims, contents and method of the course
Assessment and permitted materials
- attentive reading of the texts
- active participation in discussions
- Input on the reading
- Consolidation in the form of a written term paper (15,000-20,000 characters of continuous text)
- By registering for this course, you agree that the automated plagiarism checking software Turnitin will check all the written assignments you submit in moodle.
- active participation in discussions
- Input on the reading
- Consolidation in the form of a written term paper (15,000-20,000 characters of continuous text)
- By registering for this course, you agree that the automated plagiarism checking software Turnitin will check all the written assignments you submit in moodle.
Minimum requirements and assessment criteria
Minimum requirement:
- Compulsory attendance. Due to the blocked course format, only one date can be missed. In the event of absence due to illness or exceptional family circumstances, written proof must be submitted.
- For a positive completion of the course, all partial performances must be completed.
- Seminar paper: To ensure good academic practice, the course instructor may invite students to a grade-relevant discussion after submission of the paper, which must be completed successfully.Assessment criteria:
- Participation (reading, active participation in discussions) 20%
- Input 25%
- Consolidation in the form of a written term paper 55%
- Compulsory attendance. Due to the blocked course format, only one date can be missed. In the event of absence due to illness or exceptional family circumstances, written proof must be submitted.
- For a positive completion of the course, all partial performances must be completed.
- Seminar paper: To ensure good academic practice, the course instructor may invite students to a grade-relevant discussion after submission of the paper, which must be completed successfully.Assessment criteria:
- Participation (reading, active participation in discussions) 20%
- Input 25%
- Consolidation in the form of a written term paper 55%
Examination topics
The examination material is the content of the course.
Reading list
Selection:
T. J. Clark, Picasso and Truth. From Cubism to Guernica, Princeton 2013.
Romy Golan, Modernity and Nostalgia. Art and Politics in France between the Wars, New Haven 1995.
Romy Golan, Muralnomad. The Paradox of Wall Painting, Europe 1927-1957, New Haven 2009.
Gill Perry, Women Artists and the Parisian Avant-Garde. Modernism and Feminine Art 1900 to late 1920s, Manchester/New York 1995.
Maureen G. Shanahan, Machine Modernism, Masculinity and the Trauma of War. The Art of Fernand Léger, University Park 2024.
T. J. Clark, Picasso and Truth. From Cubism to Guernica, Princeton 2013.
Romy Golan, Modernity and Nostalgia. Art and Politics in France between the Wars, New Haven 1995.
Romy Golan, Muralnomad. The Paradox of Wall Painting, Europe 1927-1957, New Haven 2009.
Gill Perry, Women Artists and the Parisian Avant-Garde. Modernism and Feminine Art 1900 to late 1920s, Manchester/New York 1995.
Maureen G. Shanahan, Machine Modernism, Masculinity and the Trauma of War. The Art of Fernand Léger, University Park 2024.
Association in the course directory
Last modified: Fr 28.02.2025 09:45
The examination of secondary literature is the basis for academic work - categorising, understanding, critically reflecting on, differentiating, expanding, contradicting, etc. the theses, concepts and arguments of colleagues is essential in order to connect with and advance existing research. In order not to be left to your own devices in this challenging task, this course offers the opportunity to practise this on site and in self-study. We will discuss the texts in plenary and in small groups, with the help of reading questions and prepared inputs as well as examples of works.
The participants will each provide input on one of the texts and the examples of works dealt with in it and, based on this, will work on the case study, which they will submit in written form to successfully complete the course.
As these (English-language) texts form the basis for the seven double units, careful reading of them is an absolute prerequisite for the success of the course. In return, the time required for literature research and selection will be significantly reduced.
The literature listed represents a selection of publications from which we will read extracts. The exact and complete list will be communicated in time before the start of the course.