080031 PS Re/Presence: History and its Images in Modern and Contemporary Art (2009S)
modernen und zeitgenössischen Kunst (nst.K.)
Continuous assessment of course work
Labels
Abmeldung bis spätestens 25.03.2009 möglich
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Sa 14.02.2009 08:00 to Su 01.03.2009 23:59
- Deregistration possible until Tu 31.03.2009 23:59
Details
max. 25 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Wednesday
11.03.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
18.03.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
25.03.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
01.04.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
22.04.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
29.04.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
06.05.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
13.05.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
20.05.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
27.05.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
03.06.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
10.06.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
17.06.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Wednesday
24.06.
12:30 - 14:00
Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Information
Aims, contents and method of the course
Modernity's "crisis of narrative" not only affected the Fine Arts but mainly the one time noblest of its genres - history painting, which had told stories and depicted history for centuries past. The aim of the course is to analyse the different means and strategies by which, nevertheless, Modern and Contemporary Art managed to keep its hold on the past.
Assessment and permitted materials
regular attendance and participation, oral presentation (15 minutes), paper (12-15 pages)
Minimum requirements and assessment criteria
The course aims at conducing the student's competence in reading theoretical texts, analysing works of art and writing essays on art history.
Examination topics
Each participant must prepare an oral presentation on a chosen topic and write a well researched and argued paper.
Reading list
Da ein Großteil der Literatur aus dem Englischen stammt, werden gute(!) Englischkenntnisse vorausgesetzt. Für die LV steht ein Reader mit einer Auswahl von für alle Teilnehmer/innen verbindlichen Texten bereit. Für einen ersten Überblick empfiehlt sich die Lektüre von:
- Hayden White, The Content of the Form. Narrative Discourse and Historical Representation, Baltimore 1987
- Fredric Jameson, Postmodernism, or the Cultural Logic of Late Capitalism, Duke University Press 1991.
- Hayden White, The Content of the Form. Narrative Discourse and Historical Representation, Baltimore 1987
- Fredric Jameson, Postmodernism, or the Cultural Logic of Late Capitalism, Duke University Press 1991.
Association in the course directory
F 120
Last modified: Mo 07.09.2020 15:31