080040 SE Seminar: The Art of Pedagogy, the Pedagogy of Art (2019S)
Institutions of Learning in Global Contemporaneity
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 15.02.2019 10:00 to Th 21.02.2019 10:00
- Deregistration possible until Tu 12.03.2019 10:00
Details
max. 18 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
CLASS MEETS ON THE FOLLOWING DATES AND TIMES IN SR 3:
March 11 : 11am - 2pm
March 25 : 11am - 2pm
April 8: 11am - 2pm
May 6: 11am - 2pm
May 20: 11am - 4pm
June 3: 11am - 4pm
June 17: 11am - 4pm
Tuesday, March 19: 10am - 1pm - Haus der Geschichte
Tuesday, April 2: 6pm - 8:30pm - Edith Jeřábková
Thursday, May 9: 6pm - 8:30pm -Vasyl Cherepanyn
Tuesday, May 14: 6pm - 8:30pm - Gediminas Urbonas1-2 more events will be announced as soon as they are confirmed.
- Monday 11.03. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 25.03. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 08.04. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 06.05. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 13.05. 11:00 - 16:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 20.05. 11:00 - 16:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 17.06. 11:00 - 16:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Information
Aims, contents and method of the course
Assessment and permitted materials
Course Assessment: The final grade consists of:
a. Regular attendance and vigorous participation in class meetings and discussion: Attendance is mandatory and students are expected to be engaged participants. This includes the lectures and events organized in conjunction with the seminar (weighting of 20%)
b. Seminar presentation: Each student will give a 20-minute oral presentation of their research topic (weighting of 25 %)
c. Written paper: Each student will write a research paper of 40,000 signs (weighting of 55 %).In order to pass the seminar, all sections must receive a positive assessment.
a. Regular attendance and vigorous participation in class meetings and discussion: Attendance is mandatory and students are expected to be engaged participants. This includes the lectures and events organized in conjunction with the seminar (weighting of 20%)
b. Seminar presentation: Each student will give a 20-minute oral presentation of their research topic (weighting of 25 %)
c. Written paper: Each student will write a research paper of 40,000 signs (weighting of 55 %).In order to pass the seminar, all sections must receive a positive assessment.
Minimum requirements and assessment criteria
Examination topics
Reading list
syllabus will be made available at the first class meeting.
Association in the course directory
Last modified: Mo 07.09.2020 15:31
This course examines contemporary artistic, curatorial and exhibitionary practices that situate themselves as contributing to modes, techniques, and discourses of pedagogy. We will engage with practices that make visible, expand, and critique conditions and institutions of knowledge. These will be analyzed in relation to historical precedents emerging from multiple modernities and current sociopolitical and cultural conditions of production and reception in neoliberal global capitalisms.
Some preliminary questions framing our study include: 1) How do artistic practitioners and cultural workers in diverse contexts transform issues surrounding educating and learning into representational, spatial, discursive, and material phenomena? 2) How do they give form to the intertwined challenges of “learning” and “living” together and grapple with the need to shape renewed imaginations, practices, and methodologies towards diverse ways of knowing and collective change? 3) What are some images of the ‘people’ that emerge from these practices and how do these intersect with both dominant and minor fictions produced by other disciplines and institutions?Course Aims: The aims of the course are to 1) familiarize students with the practices, histories, and theories of contemporary art that focuses on issues of pedagogy; 2) engage with the issues raised by these practices along multidisciplinary pathways, including critical ethnic studies, gender studies, post colonial studies and decolonization; 3) introduce students to methods, models, and theories for the critical analysis of contemporary art.Course Methods: This is a conceptually and theoretically driven seminar that approaches the study of contemporary art as an expanded and entwined constellation of representational artifacts, discursive objects, and material practices. Within this multidisciplinary constellation, we will be attentive to the ways in which artistic production relates and responds to forces, techniques, and effects of power and is implicated in the constitution of new subjectivities.Specific pedagogical methods include: Close textual and visual analysis; class discussions, oral and written components, field trips, events.