080043 PS Case Study II/III: Wladimir Tatlin (2018W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from We 12.09.2018 10:00 to We 19.09.2018 10:00
- Deregistration possible until Tu 09.10.2018 10:00
Details
max. 25 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 04.10. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 11.10. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 18.10. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 25.10. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 08.11. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 15.11. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 22.11. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 29.11. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 06.12. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 13.12. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 10.01. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 17.01. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 24.01. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 31.01. 09:00 - 10:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Information
Aims, contents and method of the course
In this course on V. E. Tatlin, special emphasis is given both to in-depth analyses of singular works and to a reconstruction of Tatlin's concept of material culture, his (explicit and implicit) philosophy of technology and his relation to A. Rodcenko's 'concstructivism'.
Assessment and permitted materials
Participation in discussions, one oral presentation and, most important of all, an art historical paper (of 15 pages meeting common art historical standards). All means of scholarly research are welcome, while there is, of course, a ban on plagiarism.
Minimum requirements and assessment criteria
Term paper, oral presentation, active participation are required. The overall grade results primarily from the paper, but the oral presentation und particiaption in the course can be very important, especially if the the quality of the paper is ambiguous ('between two grades').
Examination topics
This is a seminar, so don't watch out for exams.
Reading list
Zur Vorbereitung und Einstimmung auf die LV eignet sich die Lektüre von Peter Bürgers Buch "Theorie der Avantgarde" (Frankfurt a. Main 1974, 12. Auflage, 2002) und Martin Heideggers Aufsatz "Die Frage nach der Technik" (in ders.: Vorträge und Aufsätze, Stuttgart 1954, S. 9-40). Weitere Literaturhinweise werden in Papierform bei der Vorbesprechung gegeben.
Association in the course directory
Last modified: Mo 07.09.2020 15:31