Universität Wien

080050 EX Art in Vienna: Objects of Islamic Art in Vienna’s collections (2013W)

Continuous assessment of course work

After two 1.30-hour introductory lectures, the sessions will be paired: 3 hours every second week: 24.10., 07.11., 21.11., 05.12.2013 and 09.01.2014 10.00-13.00 in museums; der genaue Ort zum jeweilgen Termin wird noch bekannt gegeben

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 20 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

  • Thursday 10.10. 09:30 - 11:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Thursday 17.10. 09:30 - 11:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Thursday 16.01. 09:30 - 12:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27

Information

Aims, contents and method of the course

“Islamic art” lends itself to different definitions, the simplest one, which is based on the spatio-temporal extent of Islamic civilization, is not without its limits. This problem arises in particular in the context not of theoretical approaches but of specific collections. As the presence of “Islamic art” in Europe and especially in Austria and in Vienna is almost as longstanding and continuous as royal and ecclesiastical collecting, this course introduces not only to the history of “Islamic art”, but also the history of its reception and use in Vienna, from reliquaries to regalia and trophies and lastly art (?). The course will thus focus on the historical visions of “Islamic art” from the medieval period to the present, within the context of Vienna’s collections and with regard to the current debates on the subject.

Assessment and permitted materials

Continuous assessment

Minimum requirements and assessment criteria

Awareness of the historicity of the definition of “Islamic art”. Introduction to some of the most significant aspects of Islamic art and its collecting from the Habsburgs to modern museums and to the current debates and challenges of the discipline.

Examination topics

Attentive observation and description of objects; contextualization through comparison; careful reading and evaluation of scholarly literature; critical thinking about museum displays; discussion.

Reading list

Barbara KARL, Treasury-Kunstkammer-Museum: Objects from the Islamic World in the Museum Collections of Vienna (Vienna, 2011); Ebba KOCK (ed), http://www.museumislamischerkunst.net/ (a virtual museum of Islamic art in Vienna); Avinoam SHALEM, Islam Christianized: Islamic Portable Objects in the Medieval Church Treasuries of the Latin West (Frankfurt, 1996); Moya CAREY and Margaret S. GRAVES (ed.), Islamic Art Historiography (special issue of the Journal of Art Historiography, 6 (2012) (http://arthistoriography.wordpress.com/number-6-june-2012-2/)

Association in the course directory

Last modified: Mo 07.09.2020 15:31