080067 UE Katsushika Hokusai: 36 views of the Mount Fuji (2022W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 12.09.2022 10:00 to Mo 19.09.2022 10:00
- Deregistration possible until Su 09.10.2022 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Time and location as indicated above. We will undertake several excursions to the MAK in smaller groups, the dates will be arranged in the first meetings.
- Wednesday 05.10. 16:30 - 18:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Wednesday 12.10. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 19.10. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 09.11. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 16.11. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 23.11. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 30.11. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 07.12. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 14.12. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 11.01. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 18.01. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Wednesday 25.01. 16:30 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
Information
Aims, contents and method of the course
Assessment and permitted materials
the performance control takes place three times:
-Cooperation
-Presentation
-written version of the presentation
-Cooperation
-Presentation
-written version of the presentation
Minimum requirements and assessment criteria
Compulsory attendance. In the event of absence due to illness or exceptional family situation, provide written proof.
For a positive conclusion of the course, all partial achievements must be completed.
Collaboration/ discussion: 30 points
Oral Presentation: 30 points
Written resume: 40 points1 (very good) 100-90 points; 2 (good) 89-81 points; 3 (satisfactory) 80-71 points; 4
(sufficient) 70-61 points; 5 (not enough) 60-0 points
For a positive conclusion of the course, all partial achievements must be completed.
Collaboration/ discussion: 30 points
Oral Presentation: 30 points
Written resume: 40 points1 (very good) 100-90 points; 2 (good) 89-81 points; 3 (satisfactory) 80-71 points; 4
(sufficient) 70-61 points; 5 (not enough) 60-0 points
Examination topics
see above
Reading list
A list of literature will be available from September.
This bibliography as well as current announcements will be available at
https://www.wieninger.com/hokusai.
This bibliography as well as current announcements will be available at
https://www.wieninger.com/hokusai.
Association in the course directory
Last modified: Tu 04.10.2022 13:28
Aimed at Hokusai's work, the development of Japanese landscape art from about 1750 to 1850 is pursued, the final point is Ando Hiroshige (1797-1858) with the groundbreaking series "100 Famous Views from Edo" (1858).
We will trace the different styles in this landscape series of Hokusai.
On the one hand, traditional Sansui painting is still important, on the other hand, Chinese-Western elements are processed, as they were developed in the 18th century in court painting in Beijing under Jesuit influence, and finally almost simultaneous Western-European stylistic devices in landscape representation, which - starting from Dutch and English gentlemen painting - found worldwide spread through colonialist enterprises by Europeans. We will visit the MAK's Asia Collection several times to study originals.