080070 UE Photography, moting picture and television in service of art history (2008W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 15.08.2008 06:00 to Mo 15.09.2008 06:00
- Deregistration possible until Th 30.10.2008 06:00
Details
max. 30 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Monday 13.10. 12:00 - 16:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Monday 17.11. 12:00 - 16:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Monday 15.12. 12:00 - 16:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Monday 12.01. 12:00 - 16:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Monday 26.01. 12:00 - 16:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
Information
Aims, contents and method of the course
The medial preconditions of art history are to be analysed. The course focusses on the challenge by which art history is faced through the appaerance of the option to represent works of art and architecture through new technical mass media like photography, motion picture and television. Moreover we will explore the "old media" of art history, primarily Drawing and Graphic Arts, as well as the latest digital media. An archaeology of the media of history of art makes clear that history of art history has to include the question of the used visual media by the discipline. This question makes clear the transition of questions, the methodical instruments and the realtion between academic research and teaching as well as popular art education are linked with the general development of media and the specific use of media in the discipline.
Assessment and permitted materials
Presentation of a paper during the course and in written form, active cooperation during the course.
Minimum requirements and assessment criteria
A look at the technical visual media - photography, motion picture and television - should raise our awareness of the fact, that art history is a discipline highly supported by images. Therefore the medial placement of art in academic practice as well as in popular art education has shaped the perception of art and its history.
Examination topics
Working with textual and visual material (non-motioned as well as motioned) . Input by instructor, groupwork, group discussions, smaller homeworks and (short) presentations by the students.
Reading list
Literatur zur Vorbereitung (eine ausführliche Literaturliste ist in der Übung erhältlich):
Bredekamp, Horst 2003: Bildmedien, in: Hans Belting u.a. (Hg.), Kunstgeschichte. Eine Einführung, 6. überarbeitete und erweiterte Auflage, Berlin, S. 355-378.
kritische berichte. Zeitschrift für Kunst- und Kulturwissenschaften 2002, Themenheft: Mediale Brüche. Die Bildmedien der Kunstgeschichte, H. 1.
Marburger Jahrbuch für Kunstwissenschaft, 20. Bd., Richard Hamann zum 100. Geburtstag am 29. Mai 1979, Marburg, S. 81-89.
Bredekamp, Horst 2003: Bildmedien, in: Hans Belting u.a. (Hg.), Kunstgeschichte. Eine Einführung, 6. überarbeitete und erweiterte Auflage, Berlin, S. 355-378.
kritische berichte. Zeitschrift für Kunst- und Kulturwissenschaften 2002, Themenheft: Mediale Brüche. Die Bildmedien der Kunstgeschichte, H. 1.
Marburger Jahrbuch für Kunstwissenschaft, 20. Bd., Richard Hamann zum 100. Geburtstag am 29. Mai 1979, Marburg, S. 81-89.
Association in the course directory
F 160, F 250, F 270
Last modified: Mo 07.09.2020 15:31