080071 UE Course: The Problem of Storytelling in Art from the 18th Century to the Present Day (2019S)

*Paul Barolsky, “There is no such thing as narrative art”, Arion 18(2), pp. 111-123, 2010
*Jacob Burckhardt, “Über erzählende Malerei” (1884), Jacob Burckhardts Werke. Kritische Gesamtausgabe, Bd. 13, Vorträge 1870-1892. München 2003, pp. 446-457.
Bernard Dieterle, Erzählte Bilder. Zum narrativen Umgang mit Gemälden, Marburg, 1988.
*James Elkins, “Time and Narrative”, The Visual Chapter, unfinished essay published on http://www.jameselkins.com/html/upcoming.html
Thomas Gaehtgens/Uwe Fleckner (eds.), Historienmalerei, Berlin, 1996
*Nelson Goodman, “Twisted Tales of Story, Study, and Symphony”, Critical Inquiry 7. 1980. Reprinted in Nelson Goodman, Of Mind and Other Matters, Cambridge, 1984.
*Ann Landi, “Telling Stories in Three Dimensions: Installation Art Today”, Art News, January 2015
Andrea Pinotti, “Story-telling: Typologies of iconic narratives”, Olga Pombo (ed.), Image in Science and Art, Fim de Século, Lisbon, 2017, pp. 33-58
Harold Rosenberg, “The American Action Painters”, Art News 51/8, Dec. 1952
Clement Greenberg, “Modernist Painting” in John O’Brian (ed.), Clement Greenberg. The Collected Essays and Criticism, UO Chicago Press, Chicago/London, 1986
*Peter Hühn, “Visual narratives: Narration in paintings and photographs”, Literaturwissenschaftliches Jahrbuch 56, 2015, pp. 349-365
Roman Ingarden, “Das Bild”, Untersuchungen zur Ontologie der Kunst, Tübingen, 1962
*W. J. T. Mitchell, “The Politics of Genre: Space and Time in Lessing's Laocoon”, Representations, No. 6, Spring 1984
Bence Nanay, “Narrative pictures”, The journal of aesthetics and art criticism 67(1), 2009, pp. 119-129
Lut Pil, “Clement Greenberg on Narrative in Painting”, Jan Baetens & Mireille Ribière (eds.), Time, Narrative & the Fixed Image, Rodopi, Amsterdam/Atlanta, 2001
Gerald Prince, “Revisiting Narrativity”, Walter Grünzweig/Andreas Solbach (eds.), Grenzüberschreitungen : Narratologie im Kontext/Transcending Boundaries : Narratology in Context, Gunter Narr Verlag, Tübingen, 1999, pp. 43-51
*Eleanor Heartney, "Art & Narrative", Art & Today. London, 2013, pp. 121-141
Emma Kafalenos, „Implications of Narrative in Painting and Photography“, New Novel Review, Vol. 3, No. 2, 1996
Wolfgang Kemp, „Bilderzählung“, Glasmeier, Michael (ed.), Erzählen: eine Anthologie, Berlin 1994, pp. 55-69
*Gotthold Ephraim Lessing, Laokoon oder Über die Grenzen der Malerei und der Poesie. Berlin 1766
Peggy Phelan, “Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly”, James Phelan and Peter J. Rabinowitz (eds.), A Companion to Narrative Theory, Oxford/London, 2005, 499-511
Michael Ranta, “(Re-)Creating order: Narrativity and implied world views in pictures”, Storyworlds 5, 2013 pp. 1-30
Rick Altman, A theory of narrative. New York, 2008.
Jean-Marie Schaeffer, “Narration visuelle et interprétation”, Jan Baetens & Mireille Ribière (eds.), Time, Narrative & the Fixed Image, Rodopi, Amsterdam/Atlanta, 2001
Scheuermann, Barbara J., „Narreme, Unbestimmtheitsstellen, Stimuli – Erzählen im fotografischen Einzelbild“, Lars Blunck (ed.), Die fotografische Wirklichkeit. Inszenierung. Fiktion. Narration, Bielefeld, 2010
Tobias Schöttler, “Pictorial narrativity: Transcending intrinsically incomplete representations”, Natalia Igl & Sonja Zeman (eds.), Perspectives on narrativity and narrative perspectivization, John Benjamins Publishing, Amsterdam & Philadelphia, 2016, pp. 161–182.
Yeshayahu Shen and Efrat Biberman, “A Story Told by a Picture”, Image & Narrative, Vol 11, No 2, 2010
Michael Titzmann, “Theoretisch-methodologische Probleme einer Semiotik der Text-Bild-Relationen”, Wolfgang Harms (dir.), Text und Bild, Bild und Text : DFG-Symposium, 1988, Metzler, Stuttgart, 1988
*Werner Wolf, “Intermediale Erzähltheorie”, Ansgar & Vera Nünning (eds.), Erzähltheorie transgenerisch, intermedial, interdisziplinär, Wissenschaftlicher Verlag, Trier, 2002