080072 PS Pieter Bruegel the Elder (2013S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Th 07.02.2013 10:00 to Fr 22.02.2013 17:00
- Deregistration possible until Fr 22.03.2013 17:00
Details
max. 25 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Wednesday
06.03.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
13.03.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
20.03.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
10.04.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
17.04.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
24.04.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
08.05.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
15.05.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
22.05.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
29.05.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
05.06.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
12.06.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
19.06.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
26.06.
14:30 - 16:00
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Information
Aims, contents and method of the course
It may well be that ornament owes its significance in such diversely oriented aesthetic discussions at the beginning of modernity up until today to its precarious status: because it was always seen as a supplement, as a parergon that was subordinated both aesthetically and semantically to the actual work, it was easy to detach it from that work, all the more since it generally was found at the edges: as a decorative border, a picture frame or a seam on an article of clothing. But as an articulation of the border ornament not only constitutes the unity of an artwork, it might as well act as an intermediate between: the inside and the outside, words and images, figuration and abstraction, orient and occident, the here and now and the beyond. These thoughts are the point of departure of a seminar that will endeavor to think about ornament not only in terms of its aesthetic function in the theory and practice of modernism, but also take a broader look at its role as a theoretical token, through which historical and cultural differences and interferences can be explored.
Assessment and permitted materials
regular attendance and participation, oral presentation (15 minutes), paper (12-15 pages)
Minimum requirements and assessment criteria
The course aims at conducing the student's competence in reading theoretical texts, analysing works of art and writing essays on art history.
Examination topics
Each participant must prepare an oral presentation on a chosen topic and write a well researched and argued paper.
Reading list
Association in the course directory
Last modified: Mo 07.09.2020 15:31