080083 SE Seminar: Goya's "Caprichos" (2019S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 15.02.2019 10:00 to Th 21.02.2019 10:00
- Deregistration possible until Tu 12.03.2019 10:00
Details
max. 18 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 07.03. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 14.03. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 21.03. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 28.03. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 04.04. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 11.04. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 02.05. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 09.05. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 16.05. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 23.05. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 06.06. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 13.06. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Thursday 27.06. 14:15 - 15:45 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Information
Aims, contents and method of the course
The course aims a multi-layered investigation of Goya's most famous collection of prints, ranging from material to formal and semantic levels, from the thorough analysis of single sheets to observations concerning sub-cycles and the structure of the collection at large, from immanet readings to questions of interpictoriality and context.
Assessment and permitted materials
Participation in discussions, one oral presentation and, most important of all, an art historical paper (of 25 pages meeting common art historical standards). All means of scholarly research are welcome, while there is, of course, a ban on plagiarism.
Minimum requirements and assessment criteria
Term paper, oral presentation, active participation are required. The overall grade results primarily from the paper, but the oral presentation und particiaption in the course can be very important, especially if the the quality of the paper is ambigous ("between two grades").
Examination topics
This is a seminar, don't watch out for exams.
Reading list
Eine umfangreiche Literaturliste wird bei der Vorbesprechung verteilt. Zum Einstieg empfiehlt sich:
Werner Hofmann: Goya. Vom Himmel durch die Welt zur Hölle. München: Beck 2003;
Victor I. Stoichita und Anna Maria Coderch: Goya. The Last Carnival. London (Reaktion Books) 1999. (dt. Goya. Der letzte Karneval, München: Fink, 2006)
Werner Hofmann: Goya. Vom Himmel durch die Welt zur Hölle. München: Beck 2003;
Victor I. Stoichita und Anna Maria Coderch: Goya. The Last Carnival. London (Reaktion Books) 1999. (dt. Goya. Der letzte Karneval, München: Fink, 2006)
Association in the course directory
Last modified: Mo 07.09.2020 15:31