080086 SE The role of visual media in knowledge transfer, knowledge loss and fake news (2022W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 12.09.2022 10:00 to Mo 19.09.2022 10:00
- Deregistration possible until Th 06.10.2022 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Tuesday 11.10. 17:30 - 19:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Tuesday 18.10. 17:30 - 19:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Tuesday 25.10. 17:30 - 19:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Tuesday 06.12. 17:30 - 19:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Saturday 14.01. 09:00 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Sunday 15.01. 09:00 - 18:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Saturday 21.01. 09:00 - 18:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Sunday 22.01. 09:00 - 18:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Information
Aims, contents and method of the course
Assessment and permitted materials
- Active participation in discussions
- Video (scientific results prepared as a film; 20 minutes)
- In-depth study in the form of a written paper (approx. 40,000 characters continuous text)
- By registering for this course, you agree that the automated plagiarism checker software Turnitin will check all written assignments submitted by you in moodle.
- Video (scientific results prepared as a film; 20 minutes)
- In-depth study in the form of a written paper (approx. 40,000 characters continuous text)
- By registering for this course, you agree that the automated plagiarism checker software Turnitin will check all written assignments submitted by you in moodle.
Minimum requirements and assessment criteria
Minimum requirement:
- Compulsory attendance. In case of symptom-free or symptom-poor Covid 19 quarantine, attendance is expected by zoom. In case of absence due to illness or exceptional family situation, written proof must be submitted.
- For a positive completion of the course, all partial performances must be achieved:
- active participation in discussions 20%
- video 40 %
- In-depth study in the form of a written paper 40%
- Compulsory attendance. In case of symptom-free or symptom-poor Covid 19 quarantine, attendance is expected by zoom. In case of absence due to illness or exceptional family situation, written proof must be submitted.
- For a positive completion of the course, all partial performances must be achieved:
- active participation in discussions 20%
- video 40 %
- In-depth study in the form of a written paper 40%
Examination topics
As this is a seminar, there is no "exam material". The topics of the videos will cover all epochs from antiquity to the present; suggestions for topics can be made in the three introductory lessons.
The first three units will provide an introduction to the topic and to the creation of a video on the part of the course instructor. Scientific assistance: Dr. Marta Kravchenko (Lviv Academy of Arts, Department of Art History).
The first three units will provide an introduction to the topic and to the creation of a video on the part of the course instructor. Scientific assistance: Dr. Marta Kravchenko (Lviv Academy of Arts, Department of Art History).
Reading list
Will be announced in the course of the semester.
Association in the course directory
Last modified: Mo 28.11.2022 12:28
Methodologically, such topics can only be dealt with in a transdisciplinary way. However, iconography and iconology play a decisive role as traditional art historical disciplines. The work is always to be evaluated as a source (not merely as an illustration).
The aim is to promote the students' ability to work on a topic transdisciplinarily and to create knowledge independently; this means: not merely to receive the literature, but rather to deal with it independently and critically and to communicate the findings clearly and concisely in oral and written form, as well as to discuss the theses of the other participants on an equal footing.