080104 PS Immigration and Modern Art and Architecture (2011S)

Ackermann, Andreas, "Wechselwirkung - Komplexität - Einleitende Bemerkungen zum
Kulturbegriff von Pluralismus und Multikulturalismus," in: Andreas Ackermann, Klaus E.
Müller (hrsg.) Patchwork: Dimensionen multikultureller Gesellschaften, Bielefeld: Transcript, 2002.
Baron, Stephanie, Matthew Affron (eds.) Exiles and Emigrés, The Flight of European Artists from Hitler, München: Prestel, 1997.
Boeckl, Matthias (hrsg.) Visionäre & Vertriebene, Berlin: Ernst, 1995.
Cohen-Solal, Annie, Leo and his Circle: The Life of Leo Castelli, New York, Knopf, 2010
Cork, Richard, David Bomberg, New Haven, Conn.: Yale Univ. Press,1987.
Eckmann, Sabine, Hitler exiles and American visual culture, Basingstoke: Palgrave Macmillan, 2007.
Fineberg, Jonathan. Kandinsky in Paris 1906-1907, Studies in the Fine Arts: The Avant-Garde, 44. Ann Arbor: UMI Research Press, 1984 (1975).
Frankl, Paul T., New Dimensions, The Decorative Arts of Today in Words and Pictures, New Yrok: Da Capo, (1928) 1975.
Facos, Michelle (ed.) Art, culture, and national identity in fin-de-siècle Europe, Cambridge: Cambridge University Press, 2003
Gandini, Manuela, Ileana Sonnabend: the queen of art, Roma: Castelvecchi, 2008.
Gardiner, Stephen, Epstein, Artist against the establishment, London: Michael Joseph,1992
Gatje, Robert F., Marcel Breuer, A Memoir, New York: Monacelli Press, 2000.
Greenblatt, Stephen (ed.) Cultural mobility, Cambridge: Cambridge University Press, 2010.
Greenough, Sarah, Modern art and America: Alfred Stieglitz & his New York galleries, London: Little, Brown, 2001.
Hall, Stuart, "Cultural Identity and Diaspora," in: Jonathan Rutherford (ed.,) Identity: Community, Culture, Difference, London: Lawrence & Wishart, 1990, 222-237.
Hardwick, Jeffrey M., Mall Maker, Victor Gruen, Architect of an American Dream, Philadelphia: University of Pennsylvania Press, 2004
Heinze, Andrew R., Adapting to Abundance, Jewish Immigrants, Mass Consumption, and the Search for American Identity, New York: Columbia University Press, 1990.Held, Jutta, Avantgarde und Politik in Frankreich: Revolution, Krieg und Faschismus im Blickfeld der Künste, Berlin: Reimer,2005.
Helfenstein, Josef (ed.) Lipchitz and the avant-garde: from Paris to New York, Essays by Jonathan Fineberg [on the occasion of the exhibition ... Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, September 22, 2001 - January 6, 2002, Seattle, Wash.]: Univ of Washington Press, 2001.
Kallir, Jane, Saved from Europe: Otto Kallir and the history of the Galerie St. Etienne in commemoration of the gallery's 60th anniversary, New York, NY: Galerie St. Etienne,1999.
Kitaj, R. B., First Diasporist Manifesto, London: Thames and Hudson, 1989.
Kochmann, Adrienne, "Russian émigré artists and political opposition in fin-de-siè Munich," in: Emporia State Research Studies, Vol 45, no. 1, 6-26 (2009). Internet: http://www.emporia.edu/esrs/vol45/kochman.pdf
McCabe, Cynthia Jaffee, The golden door: artist-immigrants of America, 1876-1976, Hirshhorn Museum and Sculpture Garden exhibition dates: May 20 - Oct. 20, 1976, Washington, DC: Smithsonian Inst. Press, 1976.
Mercer, Kobena, Exiles, diasporas and strangers, Cambridge, Mass.: MIT Press, 2008.
Mirzoeff, Nicholas (ed.) Diaspora and Visual Culture, Representing Africans and Jews, London and New York: Routledge, 2000
Neutra, Richard Joseph, Wie baut Amerika? Stuttgart: Hoffmann, 1927.
Nieszawer, Nadine, Peintres juifs à Paris: 1905-1939, école de Paris, Paris: Éd. Denoël , 2000 .
Perry, Gill, Women artists and the Parisian avant-garde, Modernism and 'feminine' art, 1900 to the late 1920s, Manchester University Press: Manchester and New York, 1995.
Weibel, Peter, Friedrich Stadler (ed.) Cultural Exodus from Austria, Wien: Löcker, 1993.
De Zayas, Marius How, When, and Why Modern Art Came to New York, Cambridge, 1996