080110 PS Case Study I: European Painting around 1400: Themes, Media, Clientele (2024W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 13.09.2024 10:00 to Fr 20.09.2024 10:00
- Deregistration possible until We 09.10.2024 10:00
Details
Language: German
Lecturers
- Christine Beier
- Anna Aflenzer (Student Tutor)
Classes (iCal) - next class is marked with N
Das verpflichtende Tutorium findet direkt anschließend an die Fallstudie zwischen 17:45 bis 19:15 Uhr im Seminarraum 3 am Institut für Kunstgeschichte statt. Das Tutorium wird an folgenden Terminen stattfinden: 14.10.; 21.10.; 28.10.; 04.11.; 11.11.; 18.11.
- Monday 14.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 21.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 28.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 04.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 11.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 18.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 25.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 02.12. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 09.12. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- N Monday 16.12. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 13.01. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 20.01. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Monday 27.01. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Information
Aims, contents and method of the course
The art of the decades around 1400 is often referred to with terms such as "courtly style" or "international Gothic", as its special features include the striving for aristocratic elegance, the development of luxury and the rapid spread of artistic inventions across national borders: for the period from around 1375 to 1425, it is particularly difficult to attribute works to a specific local tradition, and some have been assigned alternately to locations in France, Burgundy, Italy or Bohemia in the course of the research history. The courts competed with each other for the best artists of the time, and their relocation contributed to the spread of artistic inventions and provoked further advances that combined the strengths of different artistic centers. The focus was on more individualized representations of facial features for portraits, more realistic depictions of animals and plants, atmospheric seasonal paintings for calendar miniatures or richly furnished interior depictions.
Assessment and permitted materials
- active contribution to discussions
- short presentation (ca. 5 muntes), presentation (20 minutes)
- In-depth study in the form of a written paper (approximately 8.000-10.000 characters of continuous text).
By registering for this course, you agree that the automated plagiarism checking software Turnitin will check all written submissions you make in moodle.
- short presentation (ca. 5 muntes), presentation (20 minutes)
- In-depth study in the form of a written paper (approximately 8.000-10.000 characters of continuous text).
By registering for this course, you agree that the automated plagiarism checking software Turnitin will check all written submissions you make in moodle.
Minimum requirements and assessment criteria
- Mandatory attendance. In case of absence due to illness or exceptional family situation, written proof must be submitted.
- For a positive completion of the course, all parts must be completed.
- Paper: In order to ensure good scientific practice, the lecturer may invite students to a grade-relevant discussion after submission of the paper, which must be completed positively.Evaluation:
- active participation in discussions 15%
- presentations 15%
- paper 70%.
- For a positive completion of the course, all parts must be completed.
- Paper: In order to ensure good scientific practice, the lecturer may invite students to a grade-relevant discussion after submission of the paper, which must be completed positively.Evaluation:
- active participation in discussions 15%
- presentations 15%
- paper 70%.
Examination topics
The examination subject matter is the content of the course.
Reading list
- Otto Pächt, Die Gotik der Zeit um 1400 als gesamteuropäische Kunstsprache, in: Europäische Kunst um 1400. Achte Ausstellung unter den Auspizien des Europarates. Ausstellungskatalog, Wien, Kunsthistorisches Museum, 7. 5.-31. 7. 1962, S. 66-78
- Gerhard Schmidt, Kunst um 1400. Forschungsstand und Forschungsperspektiven, in: Götz Pochat, Brigitte Wagner (Hg.), Internationale Gotik in Mitteleuropa, Kunsthistorisches Jahrbuch Graz, 24, 1990, S. 34-49
- Cyriel Stroo, Dominique Vanwijnsberghe, Glimpses of a Lost Spendour. An Introduction to Pre-Eyckian Panel Painting, in: Cyriel Stroo (Hg.), Pre-Eyckian Panel Painting in the Low Countries. Bd. I: Catalogue, Brüssel 2009, S. 13-32
- Gerhard Schmidt, Kunst um 1400. Forschungsstand und Forschungsperspektiven, in: Götz Pochat, Brigitte Wagner (Hg.), Internationale Gotik in Mitteleuropa, Kunsthistorisches Jahrbuch Graz, 24, 1990, S. 34-49
- Cyriel Stroo, Dominique Vanwijnsberghe, Glimpses of a Lost Spendour. An Introduction to Pre-Eyckian Panel Painting, in: Cyriel Stroo (Hg.), Pre-Eyckian Panel Painting in the Low Countries. Bd. I: Catalogue, Brüssel 2009, S. 13-32
Association in the course directory
Last modified: Mo 14.10.2024 15:05