Universität Wien

080155 UE The Human Face in the Context of Visibility. Portrait Photography in the 19th and 20th Centuries (2007W)

Continuous assessment of course work

Details

Language: German

Lecturers

Classes (iCal) - next class is marked with N

Tuesday 09.10. 14:00 - 17:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Tuesday 16.10. 14:00 - 17:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Tuesday 23.10. 14:00 - 17:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Monday 17.12. 11:00 - 12:30 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Monday 17.12. 14:45 - 16:15 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Tuesday 18.12. 09:00 - 18:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20

Information

Aims, contents and method of the course

This exercise shall deal with questions concerning the stylistic development within the history of photography and shall include a basic approach to media history and cultural studies. Selected topics for analysis concern early studio photography, the visual science of physiognomy, private family photography, the role of authenticity and staging or conceptual self-representation.

Fotografen/innen / Photographers: Nadar, Disdéri, Julia Margaret Cameron, Gräfin Castiglione, Alfred Stieglitz, Trude Fleischmann, August Sander, Helmar Lerski, Dorothea Lange, Henri Cartier-Bresson, Diane Arbus, Richard Avedon, Andy Warhol, Urs Lüthi, Nan Goldin, Thomas Ruff.

Assessment and permitted materials

Minimum requirements and assessment criteria

Students shall have an intense and critical look at photographs of human faces and shall present selected positions of the history of portrait photography in the 19th and 20th centuries.

Examination topics

Methods: Distribution of topics; oral presentations and discussions; group exercises; written papers (5 - 8 pages).

Exam: In-class-participation; oral presentation; written paper.

Reading list

Pflichtlektüre (Roland Barthes, Die helle Kammer), allgemeine Literatur zur Geschichte der Fotografie und zur Porträtfotografie, sowie spezielle Literatur zu den einzelnen monografischen und thematischen Positionen.


Association in the course directory

F 160, F 250, F 270

Last modified: Mo 07.09.2020 15:31