110175 PS Extension module media studies introductory seminar - Romanian (2023S)
Camera politica-filmul de propaganda / Politische Videokamera - Propagandafilm
Continuous assessment of course work
Labels
Voraussetzungen lt. Studienplan:
Absolvierung der StEOP
Absolvierung der StEOP
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 17.02.2023 09:00 to Th 02.03.2023 10:00
- Deregistration possible until Fr 31.03.2023 23:59
Details
max. 40 participants
Language: German, Romanian
Lecturers
Classes (iCal) - next class is marked with N
Monday
20.03.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
27.03.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
17.04.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
24.04.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
08.05.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
15.05.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
22.05.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
05.06.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
12.06.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
19.06.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Monday
26.06.
13:15 - 14:45
Seminarraum ROM 8 (3B-O1-17) UniCampus Hof 8
Information
Aims, contents and method of the course
Assessment and permitted materials
Active course assistance
Written Report
Oral examination
Written Report
Oral examination
Minimum requirements and assessment criteria
a. Analysis of the political role/function of the camera;
b. Understanding the relationship between literature and film and the aesthetic and technic specificity of the two arts.
b. Understanding the relationship between literature and film and the aesthetic and technic specificity of the two arts.
Examination topics
Reception, analysis and interpretation of literature and film in a broad cultural context (culture, ideologies, identity, history). Also of particular importance will be the observation of the literature-film equation, essential in identifying the similar and different ways in which the two arts sublimate reality.
Reading list
- Corciovescu, Cristina si Rapeanu, Bujor T., Secolul cinematografului, Editura Stiintifica si Enciclopedica, Bucuresti, 1989;
- Sava, Valerian, Istoria critica a filmului romanesc contemporan (vol. I), Editura Meridiane, Bucuresti, 1999;
- Werner Faulstich, Grundkurs Filmanalyse, München, UTB 2008;
- Serban, Alex Leo, 4 decenii, 3 ani si 2 luni cu filmul romanesc, Editura Polirom, Iasi, 2009;
- Caliman, Calin, Istoria filmului romanesc (1897-2010), Editura Contemporanul, Bucuresti, 2011;
-Gilles Deleuze, Cinema 1 si Cinema 2, Editura Tact, 2012.
- Sava, Valerian, Istoria critica a filmului romanesc contemporan (vol. I), Editura Meridiane, Bucuresti, 1999;
- Werner Faulstich, Grundkurs Filmanalyse, München, UTB 2008;
- Serban, Alex Leo, 4 decenii, 3 ani si 2 luni cu filmul romanesc, Editura Polirom, Iasi, 2009;
- Caliman, Calin, Istoria filmului romanesc (1897-2010), Editura Contemporanul, Bucuresti, 2011;
-Gilles Deleuze, Cinema 1 si Cinema 2, Editura Tact, 2012.
Association in the course directory
Bachelor: BAR 08 R; Lehramt: Wahlfach
Last modified: Mo 20.03.2023 10:29
-Analysis of documentaries (e.g. Andrei Ujica/H. Farouki) or propaganda films from the communist period, including historical films (e.g. Mihai Viteazu/Daci)
Objectives:
To understand the meaning of "propaganda".
To explain propaganda films
The role of the camera2. „Literature and Film. Adaptations”Understanding the theories of cinematic 'Adaptation';
Distinguishing between discourses (literature/film);
Using specific analytical tools.Books and films proposed for analysis:
1. The novel, ”Padurea spânzuraților” (L. Rebreanu, 1922) and the film „Padurea spanzuratilor” L. Ciulei, 1965);
2. The «journalistic» novel ”Spovedanie la Tanacu” (Tatiana Niculescu Bran, 2006) vs. the film ”Beyond the Hills” (C. Mungiu, 2012);
3. The novella "Domisoara Christina" (Mircea Eliade, 1936) vs. the film of Alexandru Maftei, 2013;
4. The novel "Sunt o baba comunista" (Dan Lungu, 2007) vs. the film of Stere Gulea, 2013.
Through this course, I propose the comparative analysis of four texts of Romanian literature from different periods and their transposition into cinema. The analysis will focus on the specifics of the two arts.