120011 VO Approaching Cultural Studies (2021S)
Labels
REMOTE
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: English
Examination dates
- Friday 25.06.2021 11:00 - 13:00 Digital
- Wednesday 29.09.2021 15:00 - 16:30 Digital
- Tuesday 30.11.2021 09:00 - 10:30 Digital
- Friday 28.01.2022 13:15 - 14:45 Digital
Lecturers
Classes
Vorläufig digital geplant
LECTURES VIA BBB on MOODLE
If possible we will switch to ONSITE later this semester
Freitag 11:30-13 Uhr
Beginn: 05.03.2021
Information
Aims, contents and method of the course
Assessment and permitted materials
final 90-minute written examination
6 questions (to be answered in essay & note form)IF ONLINE EXAM (if this is the case will be announced during WS 2020)
90 mins written examination
6 questions (all to be answered in full sentences)
Open-book exam
6 questions (to be answered in essay & note form)IF ONLINE EXAM (if this is the case will be announced during WS 2020)
90 mins written examination
6 questions (all to be answered in full sentences)
Open-book exam
Minimum requirements and assessment criteria
This lecture course will provide students with an analytical and historical introduction to the subject of Cultural Studies.
Examination topics
See moodle during semester.
Instructions will be given by the lecturer
Instructions will be given by the lecturer
Reading list
Supportive material (ppts and texts) will be provided on moodle
Association in the course directory
Studium: EC 124;
Lehrinhalt: 12-0272
Lehrinhalt: 12-0272
Last modified: Fr 12.05.2023 00:15
Major Topics:
Historical development of "Culture"
CCCS-concepts of "culture"
Concepts of "folk-culture"
Storey's definitions of Popular Culture
Development of "popular culture"/mass-culture in Modernism & Postmodernism
Postmodern capitalist consumer-culture (perspectives: Marxism, Frankfurt-School, pop-art)
Concepts of Subculture & Counter-culture: Historical development, theoretical approaches; example: The Beats (1950s) - Ginsberg "Howl"
- Gendered, Sexed, and Racialized Cultural Concepts of "the Other"We will especially look at meaning making in the production and consumption of cultural artifacts, investigate the dynamics of representation, power and knowledge, and relate these issues to questions of race, gender and class. Theoretical models and perspectives will be constantly grounded in practical examples, focused on but not limited to visual cultural material.