Universität Wien

120018 AR Theory (MA) (2010W)

Critical Theory: Subject and State

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 30 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

Friday 15.10. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 22.10. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 29.10. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 05.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 12.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 19.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 26.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 03.12. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 10.12. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 17.12. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 14.01. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 21.01. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Friday 28.01. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09

Information

Aims, contents and method of the course

This course uses two popular texts and one contemporary cultural theory reader as a means to approach an understanding of modern cultural theory. The texts in question are: Philip K. Dick's science fiction novel Do Androids Dream of Electric Sheep? (1968); Ridley Scott's loosely based film of that novel, Blade Runner (Final Cut) (2007); and A Critical and Cultural Theory Reader edited by Antony Easthope and Kate McGowan. An inexpensive paperback edition of this text will be available from the Facultas bookshop on Campus; there are also reasonably priced copies available through Amazon. As many of the extracts in the Reader are dense and difficult, students should make every effort to have as many as possible of them read before the commencement of the course. Week by week we shall be addressing the primary text in terms of a range of theoretical issues, including Ideology (Marx, Althusser, Fanon, Said, Bhabha); Subjectivity (Freud, Lacan, Kristeva, Foucault); Difference (Derrida); Gender (Freud, Cixous, Mulvey, Butler); and Postmodernism (Lyotard, Baudrillard, Derrida, Zizek).

Assessment and permitted materials

1 x Class Presentation (10 - 15 minutes) (20%)

1 x 3,000-Word Essay (80%)

Minimum requirements and assessment criteria

After completing the course the student should be able to:

1. Demonstrate a basic knowledge of a variety of theoretical and critical approaches to the study of culture;

2. Show an understanding of how texts can be read from such different perspectives;

3. Engage independently with concepts and ideas, and communicate them.

Examination topics

1. To introduce students to the major theoretical discourses that have shaped the study of literature and culture in the twentieth and twentieth-first centuries;

2. To explore and evaluate such perspectives with reference to specific texts which, in different ways, interrogate disciplinary assumptions associated with the study of culture;

3. To foster an interdisciplinary methodology which facilitates study in other courses which are period-based or thematic in character.

Reading list

Philip K. Dick, Do Androids Dream of Electric Sheep? (1968; London: Gollancz, 2007)
Antony Easthope and Kate McGowan (eds), A Critical and Cultural Theory Reader, 2nd Edition (Maidenhead: Open University Press, 2007)
Ridley Scott (dir.), Blade Runner (Final Cut) (2007)

Association in the course directory

Studium: Diplom 343, UF 344, MA 844;
Code/Modul: 721-723, MA3;
Lehrinhalt: 12-0192

Last modified: Mo 07.09.2020 15:33