Universität Wien

120032 PS Interdisciplinary Course (501) = Proseminar Cultural Studies (2009S)

"Talking it over" - Gender(s) in Dialogue/Dialogues on Gender. Postmodernist Perspectives in Theory, Literature, Drama & Film

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Diese LVA gilt für das Bachelorstudium nach UG2002, das Diplomstudium (UniStG) und das Lehramt UF Englisch (UniStG).

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 30 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

Friday 13.03. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 20.03. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 27.03. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 03.04. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 24.04. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 08.05. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 15.05. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 22.05. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 29.05. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 05.06. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 12.06. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 19.06. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Friday 26.06. 12:00 - 14:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17

Information

Aims, contents and method of the course

This interdisciplinary course introduces students to poststructuralist cultural and feminist theories on langugage as a site of production of gender-identities and -relations (Butler, Kristeva, Cixous, Cameron etc). Participants will be familiarised hoe these theories can be put into practice in an interpretative analysis of postmodern novels, dramas and films which all centre thematically on dialogues between men and women: verbal and non-verbal debates; the dynamics, symbolics, and breakdowns of their communication.We contextualise these discourses with the appropriate historical-cultural backgrounds, trace similarities and differences, focussing on 2 major questions: 1. WHY does the postmodern centre on such a complex, multilayered negotiation of gender on the discursive-dialogic level? 2.) HOW is this realised - i.e. which narrative, cinematicm theoretical methods are applied? Here we encounter diverse contexts such as: historiography; psychoanalysis; social role-play and desire; collective and individual memory; mechanisms of power and violence; politics and ethnic conflict; symbolic-rhythmic levels.

Assessment and permitted materials

Reading of required texts; participation in discussions!
1 oral presentation (15 mins)
2 portfolio notes (2 pages)
1 final paper (5 pages)
Obligatory participation in the film-screenings (dates=evenings will be announced soon)

Minimum requirements and assessment criteria

English
Introducing Students to cultural and gender-and feminist theories; advancing students "reading" skills of theories and interpretative skills of various genres of texts/films through the lens of theory.

Examination topics

end of February see: http://homepage.univie.ac.at/melanie.feratova-loidolt
There will be a "reader" with theoretical texts
- multi-media based course (ppt, internet, film-screenings)
-interactive teaching (=discussions, time for questions)
- guided reading (= homepage based)

Reading list

Texts available by March (no date fixed yet)
H. Pinter. Old Times (1977); J. Winterson. Sexing the Cherry. (1989).
J. Barnes. Talking it Over (1991); S. Kane. Blasted (1995)
Films (required viewing in plenum) - 4 of the 5 following:
W. Allen Annie Hall (1977); O Stone Natural Born Killers (1994); S. Potter "The Tango Lesson" (1997) & "Yes" (2004) F.Coppola. Youth without Youth (2007)

Association in the course directory

501, 701, 1131

Last modified: Mo 07.09.2020 15:33