Universität Wien

120051 VO Literatures in English (2009W)

Jonathan Swift

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik

Diese LVA gilt für die Masterstudien Englisch nach UG2002, das Diplomstudium (UniStG) und das Lehramt UF Englisch (UniStG).

Details

max. 24 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

Tuesday 13.10. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 20.10. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 27.10. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 03.11. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 10.11. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 17.11. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 24.11. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 01.12. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 15.12. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 12.01. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Tuesday 19.01. 18:00 - 20:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13

Information

Aims, contents and method of the course

This course traces the works and career of Jonathan Swift, author of Gulliver's Travels, and consequently one of the most eminent satirists in the English language. Swift was a colonial, born in Ireland, and became the first Irish writer in English to achieve international distinction; he was also extremely conservative in his cultural politics, a champion of the Church of England against both Roman Catholic Protestant dissenting interests, a defender of wealth based upon aristocratic land-ownership who disdained banking interests, and a proponent of patriarchy. His advocacy of these positions appears in both overt and satirical forms, and characteristically employs a fictional narrator or voice, a device that proved very influential in the evolution of the novel during the eighteenth century. Ironically, as a satirist Swift often projected the nature or forms of ideas he hated or feared, projections that were often formative in the future development of such ideas; for instance, A Tale of a Tub displays a digressive style of writing intended to parody the 'modern' consciousness that Swift loathed, and yet that style showed influence upon avant-garde writing in English from Laurence Sterne to James Joyce.
Irony is, in fact, an enduring characteristic of Swift's writing. It derives in part from his sense that culture in his time was losing its classical moorings, in part from his status as 'different' (Irish in an English context, a celibate Protestant clergyman whose writing features sexual innuendo, old-fashioned in an innovative age), in part from his playfulness with language; and it has led some commentators to regard Swift as self-contradictory throughout his career. Swift himself embraced some of the contradictions (he was aware of and did not disdain his reputation as a cloacal and sexual humourist, though this had cost impeded his advancement in his career), and in our time these are more commonly regarded as complexities or sophistications offset by his deceptively straightforward manner of writing.

Assessment and permitted materials

A final written examination.

Minimum requirements and assessment criteria

The course presents students with an analytical overview of one of the greatest writers in English.

Examination topics

Lectures

Reading list

Gulliver's Travels is easily available; those who haven't already read it in German or another mother tongue might do well to have a translation handy as well as a copy in English. For Swift's other works, the Oxford Authors: Swift, ed. Angus Ross and David Woolley (Oxford University Press) is recommended and should if possible be purchased.

Association in the course directory

Diplom 343, UF 344, MA 844

Last modified: Mo 07.09.2020 15:33