120094 SE Literary & Cultural Studies Seminar / BA-Arbeit / MA British/Irish/New English (2010W)
Irish Literature in/and Irish Film
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 13.09.2010 00:00 to Su 26.09.2010 23:59
- Registration is open from We 29.09.2010 00:00 to Tu 05.10.2010 23:59
- Deregistration possible until Su 31.10.2010 23:59
Details
max. 18 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 14.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 21.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 28.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 04.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 11.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 18.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 25.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 02.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 09.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 16.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 13.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 20.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 27.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Information
Aims, contents and method of the course
Assessment and permitted materials
Requirements for credit: regular attendance, active participation in class, PowerPoint presentation, research paper (20-25 pp.), written final test.
Minimum requirements and assessment criteria
It is the aim of this course to introduce students to some of the classics of Irish cinema (as based on famous texts from the Irish literary canon) and explore the intermedial connections between literature and film.
Examination topics
Class discussion of literary texts and their cinematic counterparts (esp. selected scenes), student presentations on selected topics.
NB: Students wishing to register early and ready to take on one of the topics for oral presentations indicated below are kindly asked to contact Prof. Huber via e-mail wern.huber@univie.ac.at ASAP.Preliminary Course Outline (Early Registration):
October 14: General Introduction
October 21: (1) How to Read a Film (Survey)
October 28: (2) Adaptation, Intermediality (definitions, terminology), (3) History of Irish Cinema (Survey)
November 4: (4) M. Walsh, 'The Quiet Man' (presenting the story: character, theme, structure, style)
NB: Students wishing to register early and ready to take on one of the topics for oral presentations indicated below are kindly asked to contact Prof. Huber via e-mail wern.huber@univie.ac.at ASAP.Preliminary Course Outline (Early Registration):
October 14: General Introduction
October 21: (1) How to Read a Film (Survey)
October 28: (2) Adaptation, Intermediality (definitions, terminology), (3) History of Irish Cinema (Survey)
November 4: (4) M. Walsh, 'The Quiet Man' (presenting the story: character, theme, structure, style)
Reading list
A customised anthology will be available at StudienServiceStelle from 15 September onwards. Additional material will be provided on an e-learning platform. Therefore, students are asked to familiarise themselves in advance with the FRONTER platform. For introduction and self-guided tour, please see https://www.univie.ac.at/ZID/elearning-infos-studierende/
Association in the course directory
Studium: Diplom 343, UF 344, BA 612, MA 844;
Code/Modul: 322, 326/328, 336/338, 426/428, 436/438, 526/528, 536/538, 721-723, 821, BA12, BA14, MA4, MA6, MA7;
Lehrinhalt: 12-0265
Code/Modul: 322, 326/328, 336/338, 426/428, 436/438, 526/528, 536/538, 721-723, 821, BA12, BA14, MA4, MA6, MA7;
Lehrinhalt: 12-0265
Last modified: Mo 07.09.2020 15:33
The following films (plus the corresponding 'literary' texts) are proposed for close scrutiny:
- 'The Quiet Man' (1952; dir. John Ford; based on short story by Maurice Walsh)
- 'The Dead' (1987; dir. John Huston; based on short story by James Joyce)
- 'The Field' (1990; dir. Jim Sheridan; based on play by John Keane)
- 'Korea' (1995; dir. Cathal Black; based on short story by John McGahern)
- 'Man of Aran' (1934; dir. Robert Flaherty; referenced in Martin McDonagh's play 'The Cripple of Inishmaan')