120128 AR 'Blockbuster Poetry': Britain's Best-Loved Lyrics (2008S)
Continuous assessment of course work
Labels
ECTS 343 Diplomstudium UniStG: 2.00
Details
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Wednesday 02.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 09.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 16.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 23.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 30.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 07.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 14.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 21.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 28.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 04.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 11.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 18.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 25.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Aims, contents and method of the course
Assessment and permitted materials
Minimum requirements and assessment criteria
This course aims a) to give students a basic knowledge of core texts of the British lyric canon b) to enable students to communicate their reading experience c) to provide students with theoretical concepts (eg. Assmann's 'canon') to contextualise the notion of 'the canonical' d) to enable students to experience the fun involved in discussing poetry.
Examination topics
Group work, home study, classroom discussion, student presentation, short written report.
Reading list
Texts will be provided.
Association in the course directory
323, 324
Last modified: We 09.09.2020 00:22
Every week, we will read and discuss one such 'blockbuster poem' and ask what exactly it is that makes it stand out from all the other less loved (or less hated) texts.
As a special treat, British avant garde poet Tony Trehy will join us later in the term to give us an insider view on market forces, publication strategies and the lyric taste of the nation.