Universität Wien

120691 PS Proseminar Cultural and Media Studies (2023S)

Sherlock on Screen: Filmic Interpretations of the "Idea of Sherlock Holmes"

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

Tuesday 07.03. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 14.03. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 21.03. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 28.03. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 18.04. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 25.04. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 02.05. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 09.05. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 16.05. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 23.05. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 06.06. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 13.06. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 20.06. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Tuesday 27.06. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19

Information

Aims, contents and method of the course

This course focuses on the evolution of “idea of Sherlock Holmes” through a selection of filmic adaptations of the famous literary detective created by Sir Arthur Conan Doyle who first appeared in print in 1887.

Sherlock Holmes is a staple not only of British literature, but also of popular culture in a broader sense. Indeed, the publication of Doyle’s texts in _The Strand_ at the end of the nineteenth century famously led to what are considered to be historic instances of fan activity: as Katharine Brombley explains in her article “A case study of early British Sherlockian fandom” (2017), fan letters to Doyle – but also to Sherlock Holmes himself – flooded the offices of the publisher’s, libraries stayed open longer on publication days, and many writings about Holmes began to appear, ranging from imagined interviews to essays criticising the canon. This demonstrates a high level of emotional involvement with the Holmes texts, famously culminating in the character being written back to life after his death led to public outcry.

In this course, we will discuss part of the so-called “canon of Sherlock Holmes” (two of the Sherlock Holmes novels as well as several short stories will be part of our primary material) and attempt to trace the evolution of the character in its many filmic adaptations throughout the twentieth- and twenty-first centuries. We will examine the kind of emotional involvement created and sustained by the character from its original late-Victorian context to its more modern versions, by exploring the techniques used to in these many versions to emphasise their common threads, but also their vast differences.

Participants will gain knowledge of a few filmic adaptations of the twentieth- and twenty-first century in relation to a precise cultural topos, as well as an understanding of how cultural texts function and evolve in response to historical and cultural contexts, as well as to changing audiences. The course will also enable participants to develop their practical skills in the critical analysis of a cultural text, and will tackle the basic techniques of academic writing.

Assessment and permitted materials

Regular attendance (a maximum of two absences is possible throughout the semester) and active participation in classroom discussion and groupwork; regular preparation of assigned primary works and reading material; active in expert team providing input for one session in the term; participation in other smaller tasks such as the glossary and the "5 facts on"; research proposal; final paper.

Minimum requirements and assessment criteria

- Active participation in classroom discussion and on Moodle: 15%
- “5 facts on…” task: 10%
- Expert input during one session: 15%
- Research proposal (650 words) and annotated bibliography: 15%
- Proseminar paper (3500 words): 45%

Points must be collected in all of these categories. Students must attain at least 60% to pass this course.

Marks in %:
1 (sehr gut): 90-100
2 (gut): 80-89
3 (befriedigend): 70-79
4 (genügend): 60-69
5 (nicht genügend): 0-59

Examination topics

Contents covered throughout the semester. Students are expected to prepare their homework tasks, watch or read and prepare the assigned primary and secondary texts, participate actively in class, hand in written assignments including the final paper on time, and take active part in one expert session. There will be no written final exam.

Reading list

To familiarise yourselves with the character, you must read Arthur Conan Doyle’s _A Study in Scarlet_ (1887) and _The Hound of the Baskervilles_ (1902), as well as the short story “A Scandal in Bohemia” and at least two additional short stories from _The Adventures of Sherlock Holmes_ (1892) – feel free to read more, though. I recommend “The Five Orange Pips” and “The Adventure of the Speckled Band”, but you are free to choose different ones.

The following movies and/or TV series episodes are to be watched, as they will be some of our primary works during the semester:
- Sherlock Holmes (dir. Arthur Berthelet, 1916)
- The Adventures of Sherlock Holmes (created by Michael Cox, 1984-1994) – episode 1.1 “A Scandal in Bohemia” (1984)
- Star Trek: The Next Generation (created by Gene Roddenberry, 1987-1994) – episode 2.3 “Elementary, dear Data” (1988)
- Sherlock Holmes (dir. Guy Ritchie, 2009)
- Sherlock (created by Mark Gatiss and Steven Moffat, 2010-2017) – episodes 1.1 “A Study in Pink” (2010) and 2.2 “The Hounds of Baskerville” (2012)
- Enola Holmes (dir. Harry Bradbeer, 2020)

Some of these (e.g. the first two listed here) can be watched online for free or are available via the university library (see u:search, either with online access or as DVDs). Do make use of the city library / Stadt Wien Büchereien, too – their many branches throughout the city have DVDs including some of our primary works.

A few additional primary works might be added during the first session, in which we will also discuss the possibility to arrange a screening for course participants in cases of issues accessing the material.

Association in the course directory

Studium: BA 612;
Code/Modul: BA09.1;
Lehrinhalt: 12-4040

Last modified: Fr 10.03.2023 18:29