124183 VK BEd 08b.3: VK Cultural Studies for Language Teachers (2022S)
,,No Time to Die" (or is it?). The World of James Bond
Continuous assessment of course work
Labels
REMOTE
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Tu 15.02.2022 00:00 to Th 24.02.2022 11:59
- Deregistration possible until Th 31.03.2022 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
This class is offered fully remotely on Zoom. Please find further details on Moodle once you are signed up.
- Thursday 10.03. 14:15 - 15:45 Digital
- Thursday 17.03. 14:15 - 15:45 Digital
- Thursday 24.03. 14:15 - 15:45 Digital
- Thursday 31.03. 14:15 - 15:45 Digital
- Thursday 07.04. 14:15 - 15:45 Digital
- Thursday 28.04. 14:15 - 15:45 Digital
- Thursday 05.05. 14:15 - 15:45 Digital
- Thursday 12.05. 14:15 - 15:45 Digital
- Thursday 19.05. 14:15 - 15:45 Digital
- Thursday 02.06. 14:15 - 15:45 Digital
- Thursday 09.06. 14:15 - 15:45 Digital
- Thursday 23.06. 14:15 - 15:45 Digital
Information
Aims, contents and method of the course
Commander James Bond was born in the early 1950s and is still going strong in the 21st century. In late September 2021 the latest Bond movie, No Time to Die, was released in cinemas around the world. "James Bond" has become a popular cultural icon and has acquired many meanings depending on perspective, time and context. Here is one such meaning from 2022: Caitlin Moran in The Times (14.1.2022) called Bond “a boozy, shagging, homophobic, sexist, borderline rapist obsessed with sports cars, the British Empire and fanny”. This is one side of the story; in this class we will look at other sides also. From the early days in the late 1950s and early 1960s Bond has been an academic topic and has since then been analysed utilising a variety of approaches and methodologies. We will read articles or sections from books with a focus on the analysis of Bond the movies, but we will also briefly consider Ian Fleming’s stories and novels. A strong focus will be on filmic representation in the context of Bond movies, and we will work on audio-visual media from both a receptive and a productive angle.
Assessment and permitted materials
plus BEd paper
active participation = 20%
class portfolio plus BEd paper = 50%
online written essay = 30% (open book)minus BA paper
active participation = 20%
class portfolio = 50%
online written essay = 30% (open book)
active participation = 20%
class portfolio plus BEd paper = 50%
online written essay = 30% (open book)minus BA paper
active participation = 20%
class portfolio = 50%
online written essay = 30% (open book)
Minimum requirements and assessment criteria
plus BEd paper
active participation = 20%;
class portfolio plus BEd paper = 50%;
online written essay = 30%;minus BA paper
active participation = 20%;
class portfolio = 50%;
online written essay = 30%all three components need to be passed in order to pass the whole classMax. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend
active participation = 20%;
class portfolio plus BEd paper = 50%;
online written essay = 30%;minus BA paper
active participation = 20%;
class portfolio = 50%;
online written essay = 30%all three components need to be passed in order to pass the whole classMax. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend
Examination topics
continuous assessment with special emphasis on course readings
Reading list
Course readings are provided once you are signed up and the platform is open for inspection. As a good general starter into our topic I recommend The International Journal of James Bond Studies (2017 ff.).
Association in the course directory
Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Last modified: Th 11.05.2023 11:27