Universität Wien FIND

124184 VK BEd 08b.3: VK Cultural Studies for Language Teachers (2019W)

Artsy-fartsy? The "Teaching" of Fine Arts in British Film

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Registration/Deregistration

Details

max. 25 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

Thursday 10.10. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 17.10. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 07.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 14.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 21.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 28.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 05.12. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 12.12. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 09.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 16.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 23.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Thursday 30.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21

Information

Aims, contents and method of the course

In this class, we will explore how British film directors have incorporated (references to) art history in (biographical) feature films. This exploration will be preceded by a discussion of terms and definitions needed in order to talk about fine arts and film, especially in the context of the EFL classroom. In addition, students will craft a personal response to various directors’ approaches to capturing fine arts in film. Films scrutinised will include Ken Russell’s Dante’s Inferno (1967), Peter Watkins’s Edvard Munch (1974), Derek Jarman’s Caravaggio (1986), Peter Greenaway’s The Cook, the Thief, His Wife and Her Lover (1989), Christopher Hampton’s Carrington (1995), Peter Webber’s Girl with a Pearl Earring (2004), Mike Leigh’s Mr Turner (2014) as well as Dorota Kobiela and Hugh Welchman’s Loving Vincent (2017). Our readings will include several canonical art historians such as Svetlana Alpers and Hans Belting as well as theorists such as Laura Mulvey and Linda Hutcheon.

Assessment and permitted materials

active participation (regular attendance; participation in class discussions of set readings, being prepared, pre- and post-teaching peer presentations); class portfolio; BA research paper (should you decide upon it); in class written essay

Minimum requirements and assessment criteria

plus BA paper
active participation = 20%; class portfolio = 30%; in class written essay = 20%; research paper = 30%.
minus BA paper
active participation = 30%; class portfolio = 50%; in class written essay = 20%
all three components need to be passed in order to pass the whole class
Max. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend

Examination topics

in class written essay: set readings

Reading list

Laura Mulvey, Visual Pleasure and Narrative Cinema (1975) plus set readings on the Moodle platform.

Association in the course directory

Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686

Last modified: Th 10.10.2019 12:48