124184 VK BEd 08b.3: VK Cultural Studies for Language Teachers (2019W)
Artsy-fartsy? The "Teaching" of Fine Arts in British Film
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Th 12.09.2019 00:00 to Mo 23.09.2019 23:59
- Deregistration possible until Th 31.10.2019 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 10.10. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 17.10. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 24.10. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 07.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 14.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 21.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 28.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 05.12. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 12.12. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 09.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 16.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 23.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Thursday 30.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Aims, contents and method of the course
In this class, we will explore how British film directors have incorporated (references to) art history in (biographical) feature films. This exploration will be preceded by a discussion of terms and definitions needed in order to talk about fine arts and film, especially in the context of the EFL classroom. In addition, students will craft a personal response to various directors’ approaches to capturing fine arts in film. Films scrutinised will include Ken Russell’s Dante’s Inferno (1967), Peter Watkins’s Edvard Munch (1974), Derek Jarman’s Caravaggio (1986), Peter Greenaway’s The Cook, the Thief, His Wife and Her Lover (1989), Christopher Hampton’s Carrington (1995), Peter Webber’s Girl with a Pearl Earring (2004), Mike Leigh’s Mr Turner (2014) as well as Dorota Kobiela and Hugh Welchman’s Loving Vincent (2017). Our readings will include several canonical art historians such as Svetlana Alpers and Hans Belting as well as theorists such as Laura Mulvey and Linda Hutcheon.
Assessment and permitted materials
active participation (regular attendance; participation in class discussions of set readings, being prepared, pre- and post-teaching peer presentations); class portfolio; BA research paper (should you decide upon it); in class written essay
Minimum requirements and assessment criteria
plus BA paper
active participation = 20%; class portfolio = 30%; in class written essay = 20%; research paper = 30%.
minus BA paper
active participation = 30%; class portfolio = 50%; in class written essay = 20%
all three components need to be passed in order to pass the whole class
Max. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend
active participation = 20%; class portfolio = 30%; in class written essay = 20%; research paper = 30%.
minus BA paper
active participation = 30%; class portfolio = 50%; in class written essay = 20%
all three components need to be passed in order to pass the whole class
Max. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend
Examination topics
in class written essay: set readings
Reading list
Laura Mulvey, Visual Pleasure and Narrative Cinema (1975) plus set readings on the Moodle platform.
Association in the course directory
Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Last modified: Tu 08.09.2020 13:28