124642 VO BEd 04.2: Cultural Theories and Popular Culture (2022W)
Screening the Male: Reading Male Bodies and Masculinity Enactments in Comics, Film, and TV
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: English
Examination dates
- Friday 27.01.2023 16:45 - 18:15 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Thursday 02.03.2023 09:45 - 11:15 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Friday 28.04.2023 13:15 - 14:45 Hörsaal D Unicampus Hof 10 Hirnforschungzentrum Spitalgasse 4
- Thursday 29.06.2023 16:45 - 18:15 Hörsaal C1 UniCampus Hof 2 2G-O1-03
Lecturers
Classes (iCal) - next class is marked with N
Dear Students,
As of now the plan is that this lecture will be ON SITE and IN PERSON. If the Covid 19 situation changes, so will the conditions of this lecture series.Please keep this in mind.
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Friday
18.11.
16:45 - 18:15
Digital
Hörsaal C1 UniCampus Hof 2 2G-O1-03 - Friday 25.11. 16:45 - 18:15 Hörsaal 50 Hauptgebäude, 2.Stock, Stiege 8
- Friday 02.12. 16:45 - 18:15 Digital
- Friday 09.12. 16:45 - 18:15 Digital
- Friday 16.12. 16:45 - 18:15 Digital
- Friday 13.01. 16:45 - 18:15 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Friday 20.01. 16:45 - 18:15 Hörsaal C1 UniCampus Hof 2 2G-O1-03
Information
Aims, contents and method of the course
Masculinity as a gender practice is best understood as ‘a vague set of ideas, demands, stories and images about being a man’. Sociologist Raewyn Connell clarifies that “no masculinity arises except in a system of gender relations”(Connell, 1995). She identifies a hierarchy of masculinities: from its hegemonic version to its complicit, subordinate and marginalized varieties. Straight, white men usually occupy the hegemonic position whereas gay men have to content themselves with the subordinate and men of color with the marginalized position.Students will get an introduction into Raewyn Connell’s masculinity hierarchies as well as Michael Kimmel’s concept of American manhood and Robert Staples’ and bell hooks’ take on masculinity and race in America. This course encourages students to take a critical look at naturalized assumptions about masculinities. Comics and films addressed in class will be scanned for depictions of masculinities they offer to their audiences, their representations of male bodies, male sexuality and masculine stereotypes.
Assessment and permitted materials
Written Exam (50% Multiple Choice, 50% essay, ca. 500 words)
Minimum requirements and assessment criteria
The benchmark for passing the written exam is at 60%
Grades in %: 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%
Grades in %: 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%
Examination topics
Entire lecture content incl. lecture slides and obligatory course reading.
Reading list
Michael Kimmel. Manhood in America: a cultural history. Free Press: NY, 1996.
---. The History of Men: Essays on the History of American and British Masculinities. New York: SUNY UP, 2005.
Connell, R.W. Masculinities. Polity Press: Cambridge, 2005.
Anderson, Eric. Inclusive Masculinity: the changing nature of masculinities. London: Routledge, 2009.
---. The History of Men: Essays on the History of American and British Masculinities. New York: SUNY UP, 2005.
Connell, R.W. Masculinities. Polity Press: Cambridge, 2005.
Anderson, Eric. Inclusive Masculinity: the changing nature of masculinities. London: Routledge, 2009.
Association in the course directory
Studium: BEd 046 / 407
Code/Modul: BEd 04.2
Lehrinhalt: 12-4642
Code/Modul: BEd 04.2
Lehrinhalt: 12-4642
Last modified: Th 11.05.2023 11:27