Universität Wien

127010 KO Critical Readings in Literature (2023S)

Climate Change and Environmental Justice in North American Literatures

6.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 30 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

Friday 10.03. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 17.03. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 24.03. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 31.03. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 21.04. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 28.04. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 05.05. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 12.05. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 19.05. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 26.05. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 02.06. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 09.06. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 16.06. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 23.06. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Friday 30.06. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21

Information

Aims, contents and method of the course

The Earth is on fire. But not everyone is burning at the same pace: some people and places have been exposed to consequences of environmental degradation and anthropogenic climate change for centuries, while others can still afford the privilege of healthy and safe living conditions – at least for now. In this course, we will examine how the impending climate disaster as well as the long history of environmental violence and exploitation have been present in the literary imagination of selected North American authors from late 20th century until today. The readings will include poetry, prose, drama, nonfiction, and short theoretical texts authored primarily by BIPOC (Black, Indigenous, and People of Color) authors from the United States, Canada, and the Caribbean.
The questions we will be asking in this course include: What are the entanglements of climate change, environmental destruction, capitalism, and racism? How does our identity and positionality – including factors such as race, gender, sexuality, class, (dis)ability, etc. – influence our understanding and experience of ‘nature’ and the environment? When we talk about the end of the world, whose world do we mean? What is environmental justice (EJ) and how is it different from environmentalism? And what is the role of literature in the face of climate and environmental injustice? In our search for answers, we will be applying the following concepts: ecocriticism, ecofeminism, dystopian and speculative fiction, cli-fi, ecopoetry, ecological grief, climate anxiety, environmental (in)justice, environmental racism, climate justice, sacrifice zones, slow violence, extractive capitalism, racial capitalism, Environmental Humanities, Anthropocene/Capitalocene/Plantationocene.

Upon completion of this course, students should:

• be familiar with selected literary works by North American authors and able to explain how the themes of environmental justice and/or climate change are at play in these texts;
• be able to situate the literary texts covered in class in their sociohistorical and cultural context, explain how these texts are in conversation with said context, and how the author’s social and cultural positionality mediates the text and its context;
• understand and be able to explain theoretical approaches such as ecocriticism and ecofeminism; genres such as ecopoetry, climate fiction, dystopian literature, speculative fiction, literature of environmental justice; concepts such as environmental and climate (in)justice, climate grief/anxiety, slow violence, sacrifice zone, extractive/racial capitalism, Anthropocene, among others;
• understand and be able to explain how factors such as race, gender, class, nationality, (dis)ability, etc. affect our access to, perception, and definition of ‘nature’ and ‘environment,’ to provide relevant literary or real-life examples of this;
• develop a deeper understanding of and appreciation for the role of literature as it operates at the intersections of aesthetics and politics, artistic imagination and social critique, form and content, and be able to explain how a particular text integrates its artistic and political functions;
• be able to apply the knowledge obtained in this course to formulate their own informed opinions and arguments about social and political issues related to environmental (in)justice and climate change, and effectively support them with relevant evidence;
• display an increased fluency in academic research, critical thinking, and academic writing, including skills such as conducting library and database research, critical engagement with various literary and cultural texts, formulation of insightful and original theses on topics related to the contents of the course, and eloquent substantiation of their theses and opinions with textual evidence as well as secondary sources obtained through research.

Assessment and permitted materials

Regular attendance and active participation throughout the course (a maximum of 2 unexcused absences allowed); one in-class presentation (including handout, discussion questions, and discussion moderation); one poster presentation; and 2 short essays: response paper (500-700 words) and creative comparison essay (1,200-1,500 words).

All students must participate actively in the seminar, completing the assigned readings before they are scheduled to be reviewed in class and bringing the readings to class with them. Active class participation – which includes thorough preparation for every meeting, involvement in class discussions, seeking guidance from the instructor when necessary, and a general attitude of thoughtfulness and openness to different perspectives and new information – is as significant for each student’s final grade as their written assignments. This means that students are expected to work for their final grade consistently throughout the semester.

Minimum requirements and assessment criteria

The total percentage of each student’s final grade will be determined according to the following:

20% class participation
20% in-class presentation
20% response paper
20% creative comparison essay (incl. thesis statement consultation)
20% poster presentation

To earn a passing final grade for this course, you need to obtain at least 60% (passing threshold) for each element listed above, complete each one of them in a timely manner, and miss no more than 2 classes in the semester. Any instance of plagiarism detected will automatically result in a failing grade for the assignment.

Grade scale (in %): 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%.

Examination topics

There will be no written exam. The oral and written assignments will require the students to be familiar with (1) all readings covered in the course up to the assignment date; (2) additional materials as provided by the instructor; and (3) content covered and ideas presented during class discussions.

Reading list

The following reading list is subject to changes at the instructor’s discretion. Some of the readings will be long: at least 3 full novels will be assigned in the course of the semester.

The readings we will be covering in this course may include:
• Ursula LeGuin, The Word for World Is Forest
• Cherrie Moraga, Heroes and Saints
• V.S. Naipaul, Guerillas
• Octavia Butler, Parable of the Sower
• Percival Everett, Watershed
• Lucy Alibar, Juicy and Delicious and Benh Zeitlin (dir.), Beasts of the Southern Wild
• Rebecca Roanhorse, Trail of Lightning
• Karen Yamashita, Through the Arc of the Rainforest
• Short stories by Junot Diaz, Nnedi Okorafor, Rudolfo Anaya, NK Jemisin, and others
• Selections from Ghost Fishing: An Eco-justice Poetry Anthology, ed. Melissa Tuckey
• Poetry by Lucille Clifton, Ross Gay, Craig Santoz Perez, Tommy Pico, Olive Senior, Layli Long Soldier, and others
• Nonfiction and scholarship by T.V. Reed, Rob Nixon, Shannon Joyce Prince, Rebecca Solnit, Lauret Savoy, Yusef Komunyakaa, Margaret Atwood, Jason Moore, and others


Association in the course directory

Studium: BA 612; BEd 046/407
Code/Modul: BA08.3; BEd Modul 10
Lehrinhalt: 12-3000

Last modified: Fr 10.03.2023 20:08