127011 KO Critical Readings in Literature (2022W)
Decolonising the Canon: Anglophone African Literatures
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 05.09.2022 00:00 to Mo 19.09.2022 08:00
- Deregistration possible until Mo 31.10.2022 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
Tuesday
11.10.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
18.10.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
25.10.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
08.11.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
15.11.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
22.11.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
29.11.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
06.12.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
13.12.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
10.01.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
17.01.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
24.01.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Tuesday
31.01.
08:15 - 09:45
Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Aims, contents and method of the course
Assessment and permitted materials
Regular attendance and participation in discussions and group work (including online coursework) (30%)
Oral presentation/ acting as expert (20%)
Portfolio (consisting of critical analysis, critical review, blog post, creative writing task; 50%)Each individual task must be positive in order to pass this course.You may miss a maximum of two classes without a doctor's notice
Oral presentation/ acting as expert (20%)
Portfolio (consisting of critical analysis, critical review, blog post, creative writing task; 50%)Each individual task must be positive in order to pass this course.You may miss a maximum of two classes without a doctor's notice
Minimum requirements and assessment criteria
Students must fulfill and pass each of the 3 course requirements (portfolio, regular attendance and participation, oral presentation) and score at least 60 points altogether in order to pass this course.
Grading scale:
1: 100-90 points
2: 89-80 points
3: 79-70 points
4: 69-60 points
5: 59-0 points
The course requirements will be discussed in detail during the first session.
Grading scale:
1: 100-90 points
2: 89-80 points
3: 79-70 points
4: 69-60 points
5: 59-0 points
The course requirements will be discussed in detail during the first session.
Examination topics
This is an interactive course with continuous assessment ("prüfungsimmanente Lehrveranstaltung").
In addition to handing in a written portfolio, students are expected to read all set texts and actively participate in class throughout the semester as well as hand in tasks and assignments on time. Each individual task must be positive in order to pass this course.There will be no written exam.
In addition to handing in a written portfolio, students are expected to read all set texts and actively participate in class throughout the semester as well as hand in tasks and assignments on time. Each individual task must be positive in order to pass this course.There will be no written exam.
Reading list
Preliminary reading list:
Tsitsi Dangarembga, Nervous Conditions (novel)
Chinua Achebe, Things Fall Apart (novel)
Chimamanda Ngozi Adichie, Half of the Yellow Sun (novel)
Koleka Putuma, “Water” (selected poems from the poetry collection Collective Amnesia)
Idza Luhumyo, “Five Years Next Sunday” (short story)
Zoë Wicomb, selected short stories from You Can’t Get Lost in Cape Town (short story collection)
Yaël Farber, A Women in Waiting (play)* All texts will be provided on Moodle; However, I recommend getting a copy of the novels; short stories, poems, and secondary theoretical texts will be provided as pdf files on Moodle.
** This reading list may be updated in the course of the semester.
Tsitsi Dangarembga, Nervous Conditions (novel)
Chinua Achebe, Things Fall Apart (novel)
Chimamanda Ngozi Adichie, Half of the Yellow Sun (novel)
Koleka Putuma, “Water” (selected poems from the poetry collection Collective Amnesia)
Idza Luhumyo, “Five Years Next Sunday” (short story)
Zoë Wicomb, selected short stories from You Can’t Get Lost in Cape Town (short story collection)
Yaël Farber, A Women in Waiting (play)* All texts will be provided on Moodle; However, I recommend getting a copy of the novels; short stories, poems, and secondary theoretical texts will be provided as pdf files on Moodle.
** This reading list may be updated in the course of the semester.
Association in the course directory
Studium: BA 612; BEd 046/407
Code/Modul: BA08.3; BEd Modul 10
Lehrinhalt: 12-3000
Code/Modul: BA08.3; BEd Modul 10
Lehrinhalt: 12-3000
Last modified: Sa 08.10.2022 09:08
Students will get acquainted with African writers and thinkers and learn to critically engage with their work. Students will get familiarised with discourses on decoloniality and African feminism, gain an understanding of contemporary debates about race, gender, and power from an Afrocentric perspective. Students will train critical thinking, close reading, and creative writing, and develop their presentation and writing skills.Teaching and learning method:
interactive (& New Media); The methodology of this course is based on critical pedagogy. Short input session by the course instructor, which will explain and contextualize relevant theories and contexts, are followed by in class dialogue and group discussions, in which students are expected to actively participate. Students will also engage in close readings and critical analysis of assigned texts. We will follow a code of conduct built on collaboration, respect, and compassion towards one another and actively practice the Southern African philosophy of ubuntu which broadly means, I am who I am because you are who you are, I am me through you and you are you through me. My aim is to create inspiring, engaging, and safe learning environments that are useable, equitable, inclusive, and welcoming and in which students will be constantly provoked to engage in critical thinking. I follow a Universal Design for Learning approach and strive to create inclusive and accessible classrooms and course materials. Please e-mail me if you are in need of any accommodations.