135113 SE BA-SE: Unfinished. Fragmentary Works of World Literature (2025S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Sa 01.02.2025 00:01 to Sa 22.02.2025 23:59
- Deregistration possible until Mo 31.03.2025 23:59
Details
max. 25 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 06.03. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 13.03. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 20.03. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 27.03. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 03.04. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 10.04. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- N Thursday 08.05. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 15.05. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 22.05. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 05.06. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 12.06. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
- Thursday 26.06. 09:45 - 11:15 Seminarraum 2 Sensengasse 3a 1.OG
Information
Aims, contents and method of the course
Major works of world literature remained unfinished and still puzzle audiences and literary scholars today, e.g. Gottfried von Strasbourg's ‘Tristan’, Francesco Petrarch's epic ‘Africa’ or Edmund Spenser's ‘The Faerie Queene’, romantic novels such as Ludwig Tieck's ‘Franz Sternbald's Wanderings’ and ‘The Revolt in the Cévennes’ or Dorothea Schlegel's ‘Florentin’, S. T. Coleridge's poem ‘Kublai Khan’, Flaubert's novel ‘Bouvard et Pécuchet’ and Charles Dickens' famous last novel “The Mystery of Edwin Droodod”. T. Coleridge's poem ‘Kublai Khan’, Flaubert's novel ‘Bouvard et Pécuchet’ and Charles Dickens' famous last novel “The Mystery of Edwin Drood”. But great novel projects also failed in the 20th century, or remained (apparently) unfinished: Marcel Proust's ‘Jean Santeuil’, Robert Musil's ‘The Man without Qualities’, Hans Henny Jahnn's ‘River without Shore’, the three great Kafka fragments ‘The Trial’, ‘The Castle’ and ‘America’ (‘The Stoker’), Thomas Mann's ‘Felix Krull’ (?), Ingeborg Bachmann's ‘Death Species’ project or Heimito von Doderer's ‘The Border Forest’. The seminar will discuss questions of holistic vs. fragmentary aesthetics on the basis of an exemplary selection and attempt to describe how philology and the reading public deal with large fragments of world literature.
Assessment and permitted materials
The exact coordination of session topics takes place after an initial overview of registrations. I have recently had good experiences with short (!) impulse contributions that comprised exactly 10 ppt slides in exactly 10 minutes.
Minimum requirements and assessment criteria
Attendance in accordance with study law, participation, writing exercises if necessary, presentation, BA thesis (topic by individual arrangement) of 20-25 pages.
Examination topics
Grading is based on participation, writing exercises, the short presentation (if applicable) and, of course, the final assignment.
Reading list
An overview of the individual fields of work is provided in the first session, accompanied by an introduction to the most important specialised literature.
Association in the course directory
BA M11
Last modified: Tu 04.03.2025 10:06