Universität Wien

135824 KO Social History of Literature (KO): Film Adaptations of Literature. Theory and Current Examples (2023S)

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 30 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

Thursday 09.03. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 16.03. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 23.03. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 30.03. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 20.04. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 27.04. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 04.05. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 11.05. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 25.05. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 01.06. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 15.06. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 22.06. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG
Thursday 29.06. 18:15 - 19:45 Seminarraum 2 Sensengasse 3a 1.OG

Information

Aims, contents and method of the course

Topics and task:
As early as 1938, Béla Balázs wrote the following important statement in his essay On the Philosophy of Art of the Film: "The camera identifies us not only spatially but also emotionally with the characters of the film." Rakkurs and physiognomy show us every expression, as it corresponds to the impression of the participant What he hates also seems ugly to us, and what pleases him seems to us beautiful. " It is exactly these identification dynamics that are so characteristic of the medium of cinema that are the ones that make the star system so interesting. Edgar Morin says the stars represent the new myths of modernity. These stars of cinema are like in antiquity on a level with heroes and gods. Christan Metz and Roland Dyer believe that within a collective discourse, the movie star takes many forms and becomes an intertextual paradigm in perpetual change. In the seminar, we will deal with the world-famous models of the Italian "divismo": Sophia Loren and Marcello Mastroianni and with exactly these many exciting questions about the star system in the Cinema.
The seminar also provides for voluntary participation in the PÁZMÁNY FILM FESTIVAL - INTERNATIONAL SHORT FILM FESTIVAL, (Budapest).
The objectives of the course can be summarized as follows:

a) Introduction to Film Theory and Film Analysis.
b) Introduction to the basic problem of the film star system based on film examples.
c) Introduction to the biography of Sophia Loren and Marcello Mastroianni.
d) Filmography with Sophia Loren and Marcello Mastroianni.

Assessment and permitted materials

A short presentation about the own seminar work, which has to be handed in at the end of the semester. Participation in discussions will be considered. When determining the semester grade, therefore, the participation, the presentation and the seminar paper on the topics of the list of references are taken into account.

Minimum requirements and assessment criteria

A short presentation about the own seminar work, which has to be handed in at the end of the semester. Participation in discussions will be considered. When determining the semester grade, therefore, the participation, the presentation and the seminar paper on the topics of the list of references are taken into account.

Examination topics

Regular attendance; Participation in the discussion, presentation, and seminar paper: essay.

Reading list

Anne Bohnenkamp: Literaturverfilmungen, Reclam 2005.
James Monaco: Film verstehen. Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien, Rowohlt 2009.
Deborah Cartmell, Imelda Whelehan (eg.): The Cambridge Companion Literature on Screen, Cambridge University Press 2007.
Klaus Kanzog: Einführung in die Filmphilologie. Mit Beiträgen von Kirsten Burghardt, Ludwig Bauer und Michael Schaudig. 2., aktualisierte und erweiterte Aufl., München 1997.
Timothy Corrigan: Film and Literature, Routledge 2012.
Stefan Volk: Film lesen, Tectum 2010.
Irmela Schneider: Der verwandelte Text, Niemeyer 1981.
Markus Kuhn: Filmnarratologie, De Gruyter 2011.

Association in the course directory

MA M2

Last modified: Mo 06.03.2023 13:08