Universität Wien

143095 KU South African Theatre: Artivism through Performance (2023S)

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 12 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

  • Thursday 09.03. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 16.03. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 23.03. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 30.03. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 20.04. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 27.04. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 04.05. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 11.05. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 25.05. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 01.06. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 15.06. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 22.06. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
  • Thursday 29.06. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03

Information

Aims, contents and method of the course

This literary studies course looks at some of the most important South African theatre productions and performances, including plays by Lara Foot, Nadia Davids, Athol Fugard, William Kentridge, Koleka Putuma, and many more. South African theatre is an art form of fierce political engagement and ranks among to most influential and renowned expressions of theatre in the world. Tracing back the development and impact of the institutionalised racial segregation known as Apartheid as well as of colonialism, this course explores the relationship between arts and politics in a South African context and critically investigates theatre as protest, theatre as social criticism, theatre as witness, and theatre as ongoing discourse to negotiate and (re)-shape South Africa’s national narrative(s). The texts discussed address racism, colonialism, political oppression, gender, gender-based violence, environmental justice, and individual as well as collective trauma. Students gain a better understanding of South African theatre and culture by exploring its diversity, colonial impact, and new emerging hybrid art forms.

Course objective:
Students will get acquainted with South African playwrights and performers and learn to critically engage with their work. Students will get familiarised with the history of South African theatre as well as discourses on race, gender, and power from a South African perspective. Students will train critical thinking, close reading, and creative writing, and develop their presentation and writing skills.

Teaching and learning method:
interactive (& New Media); The methodology of this course is based on critical pedagogy. Short input session by the course instructor, which will explain and contextualize relevant theories and contexts, are followed by in class dialogue and group discussions, in which students are expected to actively participate. Students will also engage in close readings and critical analysis of assigned texts. We will follow a code of conduct built on collaboration, respect, and compassion towards one another and actively practice the Southern African philosophy of ubuntu which broadly means, I am who I am because you are who you are, I am me through you and you are you through me. My aim is to create inspiring, engaging, and safe learning environments that are useable, equitable, inclusive, and welcoming and in which students will be constantly provoked to engage in critical thinking. I follow a Universal Design for Learning approach and strive to create inclusive and accessible classrooms and course materials. Please e-mail me if you are in need of any accommodations.

Assessment and permitted materials

Regular attendance and participation in discussions and group work (including online coursework) (30%)
Oral presentation/ acting as expert (20%)
Portfolio (consisting of critical analysis (term paper), blog post or creative writing task; 50%)
Each individual task must be positive in order to pass this course.
You may miss a maximum of two classes without a doctor's notice

Minimum requirements and assessment criteria

Students must fulfil and pass each of the 3 course requirements (portfolio, regular attendance and participation, oral presentation) and score at least 60 points altogether in order to pass this course.

Grading scale:
1: 100-90 points
2: 89-80 points
3: 79-70 points
4: 69-60 points
5: 59-0 points
The course requirements will be discussed in detail during the first session.

Examination topics

This is an interactive course with continuous assessment ("prüfungsimmanente Lehrveranstaltung").
In addition to handing in a written portfolio, students are expected to read all set texts and actively participate in class throughout the semester as well as hand in tasks and assignments on time. Each individual task must be positive in order to pass this course.
There will be no written exam.

Reading list

Preliminary reading list:

Lara Foot, Tshepang: The Third Testament
Nadia Davids, At Her Feet
Athol Fugard, John Kani, and Winston Ntshona, The Island or Sizwe Bansi is Dead
Taylor and Kentridge, Ubu and the Truth Commission
Phala O. Phala, Kafka’s Ape
Yaël Farber, A Women in Waiting or Molora
Rehane Abrahams, Womb on Fire
Ameera Conrad, The Fall: All Rhodes Lead to Decolonisation
Mamela Nyamza & Mojisola Adebayo, I Stand Corrected
Amy Jephta, All Who Pass
#JustMen
Koleka Putuma, Hullo, Bye-By, Koko, Come-In
Empatheatre, Lalela uLwandle
** This reading list may be updated in the course of the semester.

Association in the course directory

SAL.T1, SAL.T2, SAL.KU

Last modified: We 01.03.2023 11:48