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150067 PS Cultures of Chinese Postsocialism (2023S)

6.00 ECTS (1.00 SWS), SPL 15 - Ostasienwissenschaften
Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

The Proseminar will take place on the following dates (SIN 2; 11:30 - 13:00):

1. Tuesday 07.03.2023
2. Tuesday 14.03.2023
3. Tuesday 21.03.2023
4. Tuesday 28.03.2023
5. Tuesday 18.04.2023
6. Tuesday 25.04.2023
7. Tuesday 02.05.2023

Attendance of the first session is mandatory to take the seminar.

  • Tuesday 07.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 14.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 21.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 28.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 18.04. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 25.04. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 02.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 09.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 16.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 23.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 06.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 13.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 20.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
  • Tuesday 27.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18

Information

Aims, contents and method of the course

This course aims to explore connections between culture, politics, and socioeconomic development in the contemporary PRC through the conceptual prism of postsocialism –variously described as “a label of historical periodization”, “a structure of feelings”, “a set of aesthetic practices”, and “a regime of political economy” (Zhang Yingjin, 2007) that has defined China’s cultural zeitgeist since the late twentieth-century. It examines significant intellectual and cultural debates and new aesthetic trends emerged in the fields of Chinese literature, film, performance, media, and visual culture since the 1980s in the context of the country’s transition from Maoism to the new era of market-oriented reforms. Further aims are to assess how the history and memory of the socialist era have been constructed and represented in the literary, artistic, and media production of the postsocialist period and to evaluate contemporary postsocialist responses to the cultural and ideological legacy of socialism – diversely articulated as critical reflection, alienation, denial, parody, or nostalgia.

Teaching methods include text-, performance- and film analysis, reading and discussion of academic literature, group and individual presentations, and individual written work. With the support of selected media resources (films, documentaries, performance video-recordings, interviews) and related scholarship, by the end of the course participants will have familiarized themselves with theories of Chinese postsocialism and key developments in contemporary Chinese culture, arts, and literature, as well as enhanced their understanding of the intersections of culture, history, and politics in the PRC since the last two decades of the twentieth-century.

Assessment and permitted materials

1) Preparation of assigned materials and active participation (seminar discussions, peer feedback) 15%

2) Presentations (text, performance, or film analysis; reading reports) 35%

3) Short presentation (plan of seminar paper with preliminary bibliography) 10%

4) Final written paper (10-12 pages) 40%
Deadline: 25 August 2023, submission via Moodle

Minimum requirements and assessment criteria

The seminar is conducted in English. Films will be made available with subtitles in English, Chinese, or both. Readings will be in English and Chinese. Sinology students who take this seminar should be able to read and analyse Chinese-language texts. These students are also encouraged to reference Chinese-language sources in the final written paper.

Each session consists of a brief contextual introduction followed by presentations and group discussions on the materials assigned for independent viewing and reading ahead of each session. Participant should take a collaborative and interactive approach. Attendance, preparation of seminar materials, and active participation are essential to the successful completion of the course.

A maximum of 1 unjustified absence (one session) is allowed.

Participants are required to give regular presentations on the assigned reading and viewing materials. In the final session, they will also give a short presentation on their plans for the final written paper (with PPT, incl. preliminary bibliography).

Detailed guidelines will be given at the start of the course.

The final paper can either build on the content of the presentations or address a new topic chosen by the student and agreed with the course leader. It can be written in English or German.

All assignments must be fulfilled to attain a positive overall grade. The final written paper must be passed to pass the course, regardless of the partial grades achieved in the other assignments.

Late submission penalties: One full grade will be deducted for each week (or part of a week) of delay, i.e., up to 1 week: -1, up to 2 weeks: -2, and so forth.

Examination topics

n/a

Reading list

Gong Haomin. 2012. Uneven Modernity: Literature, Film and Intellectual Discourse in Postsocialist China. Honolulu: University of Hawai’i Press.

Huang, Erin. 2020. Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility. Durham, NC: Duke University Press.

Lu, Sheldon Hsiao-peng. 2007. Chinese Modernity and Global Biopolitics: Studies in Literature and Visual Culture. Honolulu: University of Hawaii Press.

McGrath, Jason. 2008. Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age. Stanford: Stanford University Press.

Zhang Xudong. 2008. Postsocialism and Cultural Politics: China in the Last Decade of the Twentieth Century. Durham, NC: Duke University Press.

*** A detailed reading list will be provided on Moodle at the start of the course.

Association in the course directory

LK 410

Last modified: Tu 14.01.2025 00:16