160035 UE Principles of Notation and Composition II (2015W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 07.09.2015 00:00 to We 30.09.2015 23:59
- Deregistration possible until Fr 23.10.2015 23:59
Details
Language: German
Lecturers
Classes
Dienstags, 16:00-17:30, HS 2, Institut für Musikwissenschaft
1. Termin: 06.10.2015
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Die Teilnahme am 1. Termin ist für alle TeilnehmerInnen verpflichtend!
Information
Aims, contents and method of the course
How medieval music may have sounded, remains an open question. But answers to that question, even preliminary ones, can only be found by investigating the ways of writing music down, its notation. Musical notation underwent between 1200 and 1400 such dramatic changes as seldom before and after. The course wants to discuss the modal notatiton of the Notre-Dame period and the 13th century as well as the transition to black mensural notation in the 14th century in France and Italy. Especially of relevance is the question how the various forms of musical notation informed musical thinking. But the principal requirement for any discussion is the acquirement of solid knowledge on musical notation, that is possible only through practice and personal commitment.
Assessment and permitted materials
see methods.
Minimum requirements and assessment criteria
Knowledge of musical notation between 1200 and 1400, including the skill to translate it into modern notation.
Examination topics
Exercises (collective and individual); short tests written during the term.
Reading list
Willi Apel, Die Notation der polyphonen Musik, Leipzig 1962, zahlreiche Neuauflagen.
Manfred Hermann Schmid, Notationskunde. Schrift und Komposition 900–1900, Kassel usw., Bärenreiter 2012 (Bärenreiter Studienbücher Musik 18).
Both books are recommended for your private library.
Manfred Hermann Schmid, Notationskunde. Schrift und Komposition 900–1900, Kassel usw., Bärenreiter 2012 (Bärenreiter Studienbücher Musik 18).
Both books are recommended for your private library.
Association in the course directory
B03 (Musik vor ca. 1600), B07, B09, B15, B17; M06, M12
Last modified: Mo 07.09.2020 15:35