Universität Wien

160052 SE Bruckner's Ninth, Mahler's Tenth and the Fascination of the Expanded Fragment (2024W)

Manuscripts - Completions - Controversies

7.00 ECTS (2.00 SWS), SPL 16 - Musikwissenschaft und Sprachwissenschaft
Continuous assessment of course work
Moodle
Fr 15.11. 09:45-13:00 Seminarraum 1 Musikwissenschaft UniCampus Hof 9, 3A-O1-31

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 20 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

Der Termin am 6. Dezember findet zu einer abweichenden Zeit (13:15-16:30) in der Musiksammlung der Österreichischen Nationalbibliothek statt.

  • Friday 11.10. 09:45 - 13:00 Seminarraum 1 Musikwissenschaft UniCampus Hof 9, 3A-O1-31
  • Friday 25.10. 09:45 - 13:00 Seminarraum 1 Musikwissenschaft UniCampus Hof 9, 3A-O1-31
  • Friday 29.11. 09:45 - 13:00 Seminarraum 1 Musikwissenschaft UniCampus Hof 9, 3A-O1-31
  • Friday 06.12. 13:15 - 16:30 Ort in u:find Details
  • Friday 10.01. 09:45 - 13:00 Seminarraum 1 Musikwissenschaft UniCampus Hof 9, 3A-O1-31
  • Friday 24.01. 09:45 - 13:00 Seminarraum 1 Musikwissenschaft UniCampus Hof 9, 3A-O1-31

Information

Aims, contents and method of the course

The Finale of Anton Bruckner’s four-movement Ninth Symphony (1887–96) and the five movements of Gustav Mahler’s Tenth Symphony (1910) are among the most renowned unfinished works in the history of music. In this seminar, we will gain an overview of the philological work with the surviving original manuscripts, the various attempts to create performance versions, and the associated controversies. In order to ascertain the plausibility and appropriateness of the performance versions, it is necessary to conduct a detailed examination of the late style of both composers and to engage in a discourse on the aesthetic and ethical issues associated with “thinking further” such fragments. In the present era, a comprehensive indexing and documentation of the sources and performance versions, which are largely available in digital format, is possible, thereby enabling detailed comparisons and a fascinating introduction to the field of editing techniques, stylistic analysis, and performance practice.
The seminar includes an excursion to the music collection of the Austrian National Library, where the majority of the manuscripts of the two works under discussion are stored.
The presentation topics may include comparative studies of the two works and their genesis, individual aspects of the compositional process of one of the two works, an introduction to individual performance versions or their comparison based on selected movements or passages, fundamental reflections on musical fragments and their significance in music history (also based on comparisons with Mozart, Schubert, Schönberg, Berg, and others), methods of digital documentation and source comparisons, or an analysis of recordings of different performance versions.

Assessment and permitted materials

Presentation as part of the seminar and preparation of a seminar paper or Bachelor’s thesis. Active participation in the seminar discussions and preparation of work assignments (reading texts, listening to recordings, etc.).

Minimum requirements and assessment criteria

Attendance at at least five of the seven seminar blocks. Grading is based on the following key: 1/4 presentation, 1/4 participation and work assignments, 1/2 seminar paper/bachelor’s thesis.

Examination topics

Independent preparation of a presentation topic, presentation in the seminar and preparation of a written version as a seminar paper or Bachelor’s thesis.

Reading list

Bruckner
Anton Bruckner-Lexikon online, http://www.bruckner-online.at/?page_id=1259
Anton Bruckner Chronologie-Datenbank, http://www.bruckner-online.at/?page_id=1928
Werkverzeichnis Anton Bruckner (WAB), http://www.bruckner-online.at/?page_id=1588
Cohrs, Benjamin-Gunnar, Das Finale der IX. Sinfonie von Anton Bruckner: Geschichte, Dokumente, Werk, Präsentation des Fragments (Wiener Bruckner-Studien 3), Wien: Musikwissenschaftlicher Verlag 2012.
Cohrs, Benjamin-Gunnar, John A. Phillips und Wolfram Steinbeck, 9. Symphonie in d-Moll, in: Anton Bruckner-Lexikon online, http://www.bruckner-online.at/ABLO_e15d51145
Harrandt, Andrea und Otto Schneider (Hg.): Briefe von, an und über Anton Bruckner, Bd. 1: 1852–1886 (NGA XXIV/1). 2., rev. und verbesserte Aufl., WMV, Wien 2009.
Harrandt, Andrea und Otto Schneider (Hg.), Briefe von, an und über Anton Bruckner, Bd. 2: 1887–1896 (NGA XXIV/2). WMV, Wien 2003.
Hinrichsen, Hans-Joachim (Hrsg.): Bruckner-Handbuch, Stuttgart: Metzler 2010.
Metzger, Heinz-Klaus / Rainer Riehn (Hrsg.), Bruckners Neunte im Fegefeuer der Rezeption (Musik-Konzepte 120–122), München: Edition Text und Kritik 2003.
Phillips, John Alan. „Bruckner’s Ninth Revisited: Towards the Re-Evaluation of a Four-Movement Symphony“. PhD Dissertation, University of Adelaide, 2002. https://digital.library.adelaide.edu.au/dspace/handle/2440/21827.
Steinbeck, Wolfram, Anton Bruckner, Neunte Symphonie d-Moll (Meisterwerke der Musik 60), München: Fink 1993.

Mahler
Werkverzeichnis Gustav Mahler (GMW), https://www.gustav-mahler.org/forschung/werkverzeichnis/alle-werke
Mahler online [work in progress], https://acdh-ch.pages.oeaw.ac.at/muwi/mahler-mei/mahler-wv-static/index.html
Bouwman, Frans, Gustav Mahler (1860–1911), Tenth Symphony (1910): Bibliography of Primary and Secondary Sources, Den Haag 1996.
Filler, Susan Melanie. Editorial Problems in Symphonies of Gustav Mahler: A Study of the Sources of the Third and Tenth Symphonies, PhD Dissertation, Evanston, IL, 1977.
Op de Coul, Paul (Hrsg), Fragment or Completion? Proceedings of the Mahler X Symposium, Den Haag: Nijgh & Van Ditmar 1991.
Rothkamm, Jörg: Berthold Goldschmidt und Gustav Mahler: zur Entstehung von Deryck Cookes Konzertfassung der X. Symphonie (Musik im „Dritten Reich“ und im Exil, Bd. 6), Hamburg: Von Bockel 2000.
Rothkamm, Jörg: Gustav Mahlers zehnte Symphonie: Entstehung, Analyse, Rezeption. Frankfurt a. M.: Lang, 2003.
Rothkamm, Jörg: „Five-movement orchestral versions of Gustav Mahler’s tenth symphony“, in: Nachrichten zur Mahler-Forschung 53 (2006), 48–66.
Rothkamm, Jörg: „Zehnte Symphonie“, in: Mahler-Handbuch, hrsg. von Bernd Sponheuer und Wolfram Steinbeck, Kassel: Bärenreiter 2010, 380–389.
Rothkamm, Jörg: „Zehnte Symphonie“, in: Gustav Mahler: Interpretationen seiner Werke, hrsg. von Peter Revers und Oliver Korte, Laaber: Laaber 2011, 364−404.

Association in the course directory

BA: BAC
MA: E.HIN, H.HIN, S.HIN

Last modified: We 28.08.2024 15:06