Warning! The directory is not yet complete and will be amended until the beginning of the term.
160061 PR Introduction to Recording Techniques (2021S)
Continuous assessment of course work
Labels
MIXED
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 05.02.2021 09:00 to Tu 16.02.2021 21:00
- Registration is open from Fr 19.02.2021 09:00 to Tu 23.02.2021 21:00
- Deregistration possible until We 31.03.2021 23:59
Details
max. 20 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Due to the Covid19 pandemic the first three meetings will be held online via moodle. In April, May and June of 2021 we will have four dates in the studio for small groups of students which will be streamed online as well. In-Person-Attendance at one of these meetings is mandatory, the remaining three dates will be attended online and are mandatory as well.
- Monday 01.03. 15:00 - 16:30 Digital
- Monday 15.03. 15:00 - 16:30 Digital
- Monday 12.04. 15:00 - 16:30 Digital
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Saturday
24.04.
10:00 - 17:00
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Seminarraum 2 Musikwissenschaft UniCampus Hof 9, 3A-EG-01 - Saturday 08.05. 10:00 - 17:00 Seminarraum 2 Musikwissenschaft UniCampus Hof 9, 3A-EG-01
- Saturday 12.06. 10:00 - 17:00 Seminarraum 2 Musikwissenschaft UniCampus Hof 9, 3A-EG-01
- Saturday 19.06. 10:00 - 17:00 Seminarraum 2 Musikwissenschaft UniCampus Hof 9, 3A-EG-01
Information
Aims, contents and method of the course
A hands-on introduction to audio recording techniques. Topics will cover hardware (microphones, mixers, signal flow, AD/DA conversion, etc), software (DAW, plugins) and practical use in recording of musical instruments, editing, mixing, etc.
Assessment and permitted materials
oral presentations, editing exercises, group work, final production, attendance and participation
Minimum requirements and assessment criteria
final production - 40 points
attendance/participation - 20 points
oral presentation - 20 points
editing exercise - 20 points
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Total - 100 points1 (Sehr Gut): 91-100
2 (Gut): 76-90
3 (Befriedigend): 64-75
4 (Genügend): 50-63
5 (Nicht Genügend): <50
attendance/participation - 20 points
oral presentation - 20 points
editing exercise - 20 points
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Total - 100 points1 (Sehr Gut): 91-100
2 (Gut): 76-90
3 (Befriedigend): 64-75
4 (Genügend): 50-63
5 (Nicht Genügend): <50
Examination topics
For a passing grade (4 or better) a total of at least 50 points must be reached and the final production must be graded with no less than 20 points
Reading list
Dickreiter, M., Dittel, V., Hoeg, W. & Wöhr, M. (2014). Handbuch der Tonstudiotechnik (8., Völlig überarbeitete Und Erweiterte Auflage Aufl.). Berlin, Deutschland: De Gruyter.Eargle, J. (2004). Eargle’s The Microphone Book, Second Edition: From Mono to Stereo to Surround - A Guide to Microphone Design and Application (Audio Engineering Society Presents) (2. Aufl.). Oxford, UK: Focal Press.Izhaki, R. (2008). Mixing Audio: Concepts, Practices and Tools (First Edition). Oxford, UK: Focal Press.This list will be extended during the course.
Association in the course directory
BA: PRX
MA: M03, M05, M17
MA: M03, M05, M17
Last modified: Fr 12.05.2023 00:17