160062 VO Between Humanism, Court, and Republic: "Opera" (2021W)
from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
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Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: German
Examination dates
Monday
31.01.2022
15:00 - 19:00
Digital
Wednesday
09.03.2022
15:00 - 17:30
Digital
Wednesday
04.05.2022
15:00 - 17:30
Digital
Wednesday
15.06.2022
15:00 - 17:30
Digital
Lecturers
Classes (iCal) - next class is marked with N
Unfortunately, the lecture has to be cancelled on 29.11.2021 due to participation in a concurrent conference.
Monday
04.10.
16:45 - 18:15
Digital
Monday
11.10.
16:45 - 18:15
Digital
Monday
18.10.
16:45 - 18:15
Digital
Monday
25.10.
16:45 - 18:15
Digital
Monday
08.11.
16:45 - 18:15
Digital
Monday
15.11.
16:45 - 18:15
Digital
Monday
22.11.
16:45 - 18:15
Digital
Monday
06.12.
16:45 - 18:15
Digital
Monday
13.12.
16:45 - 18:15
Digital
Monday
10.01.
16:45 - 18:15
Digital
Monday
17.01.
16:45 - 18:15
Digital
Monday
24.01.
16:45 - 18:15
Digital
Information
Aims, contents and method of the course
Assessment and permitted materials
Mainly through an oral examination to be held at the end of the semester.
Minimum requirements and assessment criteria
60 points are required for a positive assessment of the course:1 (very good) 100-90 points
2 (good) 89-81 points
3 (satisfactory) 80-71 points
4 (sufficient) 70-60 points
5 (not sufficient) 59-0 points
2 (good) 89-81 points
3 (satisfactory) 80-71 points
4 (sufficient) 70-60 points
5 (not sufficient) 59-0 points
Examination topics
The topics dealt with in the lecture, which are to be learned and deepened through the literature listed below - possibly expanded in the course of the course - and the materials provided, like PowerPoint slides.
Reading list
• Claude V. Palisca, “Girolamo Mei, Mentor to the Florentine Camerata”, The Musical Quarterly, 40/1 (1954), 1-20
• Alois M. Nagler, Theatre festivals of the Medici: 1539 – 1637, New Haven: Yale University Press (1964)
• Wolfgang Osthoff, Theatergesang und darstellende Musik in der italienischen Renaissance, Tutzing: Schneider (1969)
• Claude V. Palisca: ‘The “Camerata Fiorentina”: a Reappraisal’, Studi musicali, 1 (1972), 203-36
• ders., “Theory of Dramatic Music”, in Humanism in Italian Renaissance Musical Thought, New Haven & London: Yale University Press (1985), 408-33
• Lorenzo Bianconi, Music in the Seventeenth Century, übers. David Bryant, Cambridge: Cambridge University Press (1987)
• Claude V. Palisca, The Florentine Camerata: Documentary Studies and Translations, New Haven: Yale University Press (1989)
• Ellen Rosand, Opera in Seventeenth-Century Venice: The Creation of a Genre, Berkeley, CA: University of California Press (1991)
• Silke Leopold, Claudio Monteverdi und seine Zeit, Laaber: Laaber Verlag (1993)
• Warren Kirkendale, The Court Musicians in Florence during the Principate of the Medici with a Reconstruction of the Artistic Establishment, Florence: Olschki (1993)
• Alois M. Nagler, Theatre festivals of the Medici: 1539 – 1637, New Haven: Yale University Press (1964)
• Wolfgang Osthoff, Theatergesang und darstellende Musik in der italienischen Renaissance, Tutzing: Schneider (1969)
• Claude V. Palisca: ‘The “Camerata Fiorentina”: a Reappraisal’, Studi musicali, 1 (1972), 203-36
• ders., “Theory of Dramatic Music”, in Humanism in Italian Renaissance Musical Thought, New Haven & London: Yale University Press (1985), 408-33
• Lorenzo Bianconi, Music in the Seventeenth Century, übers. David Bryant, Cambridge: Cambridge University Press (1987)
• Claude V. Palisca, The Florentine Camerata: Documentary Studies and Translations, New Haven: Yale University Press (1989)
• Ellen Rosand, Opera in Seventeenth-Century Venice: The Creation of a Genre, Berkeley, CA: University of California Press (1991)
• Silke Leopold, Claudio Monteverdi und seine Zeit, Laaber: Laaber Verlag (1993)
• Warren Kirkendale, The Court Musicians in Florence during the Principate of the Medici with a Reconstruction of the Artistic Establishment, Florence: Olschki (1993)
Association in the course directory
BA: HIS-V1, HIS-V2, FRE
MA: M01, M02, M03, M04, M05, M06, M07, M12, M13
EC: EMG2
MA: M01, M02, M03, M04, M05, M06, M07, M12, M13
EC: EMG2
Last modified: Th 23.03.2023 00:19
Method: Lecture with PowerPoint slides