Universität Wien

160066 VO Richard Wagner's Years in Paris (2024W)

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: German

Examination dates

Lecturers

Classes (iCal) - next class is marked with N

The lecture is held in blocks of two units.

  • Thursday 10.10. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
  • Thursday 14.11. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
  • Thursday 28.11. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
  • Thursday 12.12. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
  • Thursday 09.01. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
  • Thursday 23.01. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09

Information

Aims, contents and method of the course

The aim of the lecture is to get to know Wagner from a perspective that is little known in German-speaking countries and to get to know this approach as one of many possibilities of decolonial music historiography. Richard Wagner set his sights on Paris early on in his endeavors to gain a foothold in the field of opera. His two longer stays at the Seine (1839-1841 and 1859-1861) were - at least according to his own records - characterized by numerous failed ventures and financial hardship. With "Wagner in Paris", however, activities and themes move to the center of Wagner's creative work, which often stand apart from today's mainstream culture of reception of the composer. Thus, despite the monumentality and complexity of the composer's figure today, the lecture conveys numerous “quieter” and lesser-known sides that bring hidden aspects to light and contribute to the differentiation of opera historiography. The central aim of the course is to embed Wagner in the maxims of decolonial historiography.

Assessment and permitted materials

The examination serves to determine whether the entire lecture material (methodology and content) has been internalized, also with the help of the preparations from lecture to lecture. In principle, nothing is tested that was not mentioned in class.
No aids are permitted. The examinations take place on site, digital participation is not planned.

Minimum requirements and assessment criteria

Examination topics

Reading list

Baudelaire, Charles, Richard Wagner et Tannhauser à Paris, Paris: Dentu; 1861
Champfleury, Jules, Richard Wagner in Paris. Zwei vergessene Texte, Bamberg: Wiess, 1995
Hibberd, Sarah, Wrigley, Richard (Hg.), Art, Theatre, and Opera in Paris, 1750-1850. Exchanges and Tensions, London, New York: Routledge, 22016
Michaela Landi, Baudelaire et Wagner, Firenze: Firenze University Press, 2019
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity, Woodbridge: The Boydell Press, 2019
Rachel Orzech, Claiming Wagner for France, Rochester: University of Rochester Press, 2022

Association in the course directory

BA: HIS-V2, FRE
MA: MUS, H.1, H.2, E.HIN, H.HIN, S.HIN
EMG: EMG2

Last modified: Fr 11.10.2024 11:06