160066 VO Richard Wagner's Years in Paris (2024W)
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Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: German
Examination dates
- N Thursday 30.01.2025 15:00 - 16:30 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Wednesday 26.03.2025 16:45 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Wednesday 14.05.2025 16:45 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Wednesday 11.06.2025 16:45 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Lecturers
Classes (iCal) - next class is marked with N
The lecture is held in blocks of two units.
- Thursday 10.10. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Thursday 31.10. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Thursday 14.11. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- N Thursday 28.11. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Thursday 12.12. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Thursday 09.01. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Thursday 23.01. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Information
Aims, contents and method of the course
The aim of the lecture is to get to know Wagner from a perspective that is little known in German-speaking countries and to get to know this approach as one of many possibilities of decolonial music historiography. Richard Wagner set his sights on Paris early on in his endeavors to gain a foothold in the field of opera. His two longer stays at the Seine (1839-1841 and 1859-1861) were - at least according to his own records - characterized by numerous failed ventures and financial hardship. With "Wagner in Paris", however, activities and themes move to the center of Wagner's creative work, which often stand apart from today's mainstream culture of reception of the composer. Thus, despite the monumentality and complexity of the composer's figure today, the lecture conveys numerous “quieter” and lesser-known sides that bring hidden aspects to light and contribute to the differentiation of opera historiography. The central aim of the course is to embed Wagner in the maxims of decolonial historiography.
Assessment and permitted materials
The examination serves to determine whether the entire lecture material (methodology and content) has been internalized, also with the help of the preparations from lecture to lecture. In principle, nothing is tested that was not mentioned in class.
No aids are permitted. The examinations take place on site, digital participation is not planned.
No aids are permitted. The examinations take place on site, digital participation is not planned.
Minimum requirements and assessment criteria
Examination topics
Reading list
Baudelaire, Charles, Richard Wagner et Tannhauser à Paris, Paris: Dentu; 1861
Champfleury, Jules, Richard Wagner in Paris. Zwei vergessene Texte, Bamberg: Wiess, 1995
Hibberd, Sarah, Wrigley, Richard (Hg.), Art, Theatre, and Opera in Paris, 1750-1850. Exchanges and Tensions, London, New York: Routledge, 22016
Michaela Landi, Baudelaire et Wagner, Firenze: Firenze University Press, 2019
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity, Woodbridge: The Boydell Press, 2019
Rachel Orzech, Claiming Wagner for France, Rochester: University of Rochester Press, 2022
Champfleury, Jules, Richard Wagner in Paris. Zwei vergessene Texte, Bamberg: Wiess, 1995
Hibberd, Sarah, Wrigley, Richard (Hg.), Art, Theatre, and Opera in Paris, 1750-1850. Exchanges and Tensions, London, New York: Routledge, 22016
Michaela Landi, Baudelaire et Wagner, Firenze: Firenze University Press, 2019
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity, Woodbridge: The Boydell Press, 2019
Rachel Orzech, Claiming Wagner for France, Rochester: University of Rochester Press, 2022
Association in the course directory
BA: HIS-V2, FRE
MA: MUS, H.1, H.2, E.HIN, H.HIN, S.HIN
EMG: EMG2
MA: MUS, H.1, H.2, E.HIN, H.HIN, S.HIN
EMG: EMG2
Last modified: Fr 22.11.2024 16:46