Universität Wien

160076 UE Digital Edition of Early Music - Techniques and Research (2024S)

Current Musicology

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 30 participants
Language: German, English

Lecturers

Classes (iCal) - next class is marked with N

Wednesday 06.03. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 13.03. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 20.03. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 10.04. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 17.04. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 24.04. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 15.05. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 22.05. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 29.05. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 05.06. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 12.06. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 19.06. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Wednesday 26.06. 13:15 - 14:45 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01

Information

Aims, contents and method of the course

The course is interdisciplinary and conceptualised in cooperation with the TU Vienna and for the participation of students in the technical (TU Vienna) and in the music fields (Institute of Musicology at the University of Vienna). The course is intended for anyone interested in dialogues between 'technology' and 'music'. The guiding questions are: What do two disciplines need from each other? What questions arise when working together? What tools are available to us?
The exercise offers familiarisation with and experimentation with methods and techniques of the music encoding (MEI) regarding to modern digital music editions, and basic recognition of elementary music textures, or even 'genres before 1600' (mini projects in smaller working groups are intended). The focus is on notation and music before 1600, but also on the common music notation and music after 1600.

Assessment and permitted materials

German, English

Minimum requirements and assessment criteria

1) knowledge of (common) musical notation (basic) for participants from the TU (mandatory);
2) a completed palaeography course for participants from the Institute of Musicology (not mandatory).

Examination topics

At the end, students of both disciplines should:
1) know the basics of MEI (mensural notation, optional tablature);
2) be able to formulate research questions or simple tasks with possible algorithms;
3) be familiar with current innovations in the field of historical notation before 1600 in a digital context.

Reading list

(will be announced)

Association in the course directory

BA: HIS-V1, INT, FRE
MA (2008): M01, M03, M04, M05, M06, M12, M16, M17
MA (2022): E.HIA, E.INT, H.HIA, H.INT, S.HIA, S.INT

Last modified: Tu 20.02.2024 10:06