160078 UE Applied Ethnomusicology (2021W)
Continuous assessment of course work
Labels
MIXED
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 10.09.2021 09:00 to We 22.09.2021 21:00
- Registration is open from Fr 24.09.2021 09:00 to We 29.09.2021 21:00
- Deregistration possible until Su 31.10.2021 23:59
Details
max. 21 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Die LV findet in gemischter Form statt: Die Mehrzahl der Termine wird digital abgehalten, einzelne Termine werden vor Ort stattfinden, sofern es die Pandemielage zulässt.
Wednesday
06.10.
09:45 - 11:15
Digital
Wednesday
13.10.
09:45 - 11:15
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Wednesday
20.10.
09:45 - 11:15
Digital
Wednesday
27.10.
09:45 - 11:15
Digital
Wednesday
03.11.
09:45 - 11:15
Digital
Wednesday
10.11.
09:45 - 11:15
Digital
Wednesday
17.11.
09:45 - 11:15
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Wednesday
24.11.
09:45 - 11:15
Digital
Wednesday
01.12.
09:45 - 11:15
Digital
Wednesday
15.12.
09:45 - 11:15
Digital
Wednesday
12.01.
09:45 - 11:15
Digital
Wednesday
19.01.
09:45 - 11:15
Digital
Wednesday
26.01.
09:45 - 11:15
Digital
Information
Aims, contents and method of the course
Assessment and permitted materials
Participation in discussions
oral presentation
presentation
essay
oral presentation
presentation
essay
Minimum requirements and assessment criteria
at least 2/3 of the attendance at the class
Examination topics
The test content will be designed based on the competences and interests of the students.
Reading list
(selected)
Anthony Seeger, “Lost Lineages and Neglected Peers: Ethnomusicologists Outside Academia.” Ethnomusicology, Vol. 50, no. 2 (2006): 214-235.
J. R Alviso, „Applied ethnomusicology and the impulse to make a difference.“ Folklore Forum 34(1/2), (2003):89–96.
Jeff Todd Titon, "Music, the Public Interest, and the Practice of Ethnomusicology.” Ethnomusicology, special issue on music, the public interest, and the practice of ethnomusicology. Vol. 36, no. 3 (1992): 315-322.
John Fenn, "A Conversation with Jeff Todd Titon,” Folklore Forum, special issue on applied ethnomusicology. Vol. 34, nos. 1 & 2 (2003): 119-131. Available for download at: http://hdl.handle.net/2022/2361
Klisala Harrison and Svanibor Pettan, "Introduction,” Applied Ethnomusicology: Historical and Contemporary Approaches (Newcastle-Upon-Tyne: Cambridge Scholars Publishing), (2010):1-20.
Klisala Harrison, "Epistemologies of Applied Ethnomusicology.” Ethnomusicology, Vol. 56, no. 3 (2012): 505-529.
Rebecca Dirksen, "Reconsidering Theory and Practice in Ethnomusicology: Applying, Engaging, and Advocating Beyond Academia." Ethnomusicology Review, Vol. 17 (2012). Available for download at: (http://ethnomusicologyreview.ucla.edu)
Svanibor Pettan and Jeff Todd Titon (eds.), The Oxford Handbook of Applied Ethnomusicology. New York: Oxford University Press, 2015.
Svanibor Pettan, "Applied Ethnomusicology and Empowerment Strategies: Views from Across the Atlantic,” Musicological Annual, special issue on applied ethnomusicology. Vol. 44, no. 1 (2008): 85-99.
Anthony Seeger, “Lost Lineages and Neglected Peers: Ethnomusicologists Outside Academia.” Ethnomusicology, Vol. 50, no. 2 (2006): 214-235.
J. R Alviso, „Applied ethnomusicology and the impulse to make a difference.“ Folklore Forum 34(1/2), (2003):89–96.
Jeff Todd Titon, "Music, the Public Interest, and the Practice of Ethnomusicology.” Ethnomusicology, special issue on music, the public interest, and the practice of ethnomusicology. Vol. 36, no. 3 (1992): 315-322.
John Fenn, "A Conversation with Jeff Todd Titon,” Folklore Forum, special issue on applied ethnomusicology. Vol. 34, nos. 1 & 2 (2003): 119-131. Available for download at: http://hdl.handle.net/2022/2361
Klisala Harrison and Svanibor Pettan, "Introduction,” Applied Ethnomusicology: Historical and Contemporary Approaches (Newcastle-Upon-Tyne: Cambridge Scholars Publishing), (2010):1-20.
Klisala Harrison, "Epistemologies of Applied Ethnomusicology.” Ethnomusicology, Vol. 56, no. 3 (2012): 505-529.
Rebecca Dirksen, "Reconsidering Theory and Practice in Ethnomusicology: Applying, Engaging, and Advocating Beyond Academia." Ethnomusicology Review, Vol. 17 (2012). Available for download at: (http://ethnomusicologyreview.ucla.edu)
Svanibor Pettan and Jeff Todd Titon (eds.), The Oxford Handbook of Applied Ethnomusicology. New York: Oxford University Press, 2015.
Svanibor Pettan, "Applied Ethnomusicology and Empowerment Strategies: Views from Across the Atlantic,” Musicological Annual, special issue on applied ethnomusicology. Vol. 44, no. 1 (2008): 85-99.
Association in the course directory
BA: ETH-V, FRE. PRX
MA: M02, M03, M04, M05, M08, M13, M17
MA: M02, M03, M04, M05, M08, M13, M17
Last modified: Fr 12.05.2023 00:17
1) What is applied ethnomusicology? (Predecessors, history and today's perspectives)
2) How do you do applied ethnomusicology? (Research approaches, methods and ethics)
3) Why is applied ethnomusicology important? (Colonialism, coloniality and the possible role of ethnomusicology in asymmetrical power relations)
4) What discussions are there today in applied ethnomusicology? (Debates about definitions and terms, the (in) efficiency of academic structures and the need for additional qualifications for the field, etc.)