160141 VO+UE Introduction to South Indian rhythms of Carnatic music (2013S)

4.00 ECTS (2.00 SWS), SPL 16 - Musikwissenschaft und Sprachwissenschaft

Continuous assessment of course work

Moodle

Details

Language: German

Lecturers

Karin Bindu

Classes (iCal) - next class is marked with N

    
    Friday
    15.03.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    22.03.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    12.04.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    19.04.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    26.04.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    03.05.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    10.05.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    17.05.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    24.05.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    31.05.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    07.06.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    14.06.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    21.06.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
    
    Friday
    28.06.
    10:45 - 12:15
    Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09

Information

Aims, contents and method of the course

The thirty-five Suladi Talas the South Indian Carnatic music, which are converted to the percussion instruments Mrdangam, Ghattom and Kanjira and which are taught by syllables (Solkattu) are based on seven Talas in the sense of musical time signatures: Dhruva, Matya, Rupaka, Triputa, Jhampa, Ata and Eka. These can be varied in each case in five sub-groups (Jatis), each of these being formed from specific combinations of Talas.
The course (lecture and exercise) provides an introduction to the theory and design of Carnatic classical rhythms, informations about the percussion instruments Mrdangam and Ghattam, an overview of Music Colleges in Kerala as well as practical exercises to learn the necessary Kriyas and mnemonic syllables of Suladi Talas .
Live demonstrations at the Mrdangam and Clips complement the insight into the carnatic rhythmic system.

Assessment and permitted materials

Written exam or presentation at the end of the semester (VO), attendance (UE) - max. 3 wrong hours, 3 written homework in the UE during the semester.

Minimum requirements and assessment criteria

Insight into the history of music in South India,
evolution of South Indian rhythm,
overview of music and instruments of Carnatic music,
practical consolidation in the Suladi Talas,
implementation of the 35 Talas Suladi with hand gestures and mnemonic syllables,
current literature and research, links in cyberspace,
analytics of tala within a composition

Examination topics

PowerPoint, research, Moodle, Clips, practical exercises (Kriyas, Solkattu), some with accompaniment of mrdangam, personality poster, case study

Reading list

Basics: Brown (1996), Manikandan (2004), Sen (1994), Rowell (1992), Pesch (2009), Bhagyalekshmi (2004), Danielou

Association in the course directory

B04, B11, B17; M02, M08, M14

Last modified: Mo 07.09.2020 15:35