170221 PS Introductory Seminar "Narrativity in Theatre, Film and Media" (2020S)
The godfather of story
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Tu 11.02.2020 09:00 to Su 23.02.2020 23:55
- Registration is open from Th 27.02.2020 09:00 to We 04.03.2020 23:55
- Deregistration possible until Th 30.04.2020 23:55
Details
max. 40 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Aufgrund der aktuellen Corona-Situation entfällt der MINORITY-REPORT Kinotermin. Nähere Informationen in Moodle a.s.a.p
- Monday 09.03. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 16.03. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 23.03. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 30.03. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 20.04. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 27.04. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 04.05. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 11.05. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 18.05. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 25.05. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 08.06. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 15.06. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 22.06. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
- Monday 29.06. 09:45 - 11:15 Seminarraum 1 2H316 UZA II Rotunde
Information
Aims, contents and method of the course
Assessment and permitted materials
Prüfungsimmanente Lehrveranstaltung.
Minimum requirements and assessment criteria
Presence and active participation in all sessions. Exceptions only in case of a well-founded written notification submitted in time.
Examination topics
Nachweis der Kenntnis der grundlegenden Ideen, Analysen und Konzepte, die von Robert McKee in seinem Buch "Story: Substance, Structure, Style, and the Principles of Screenwriting" präsentiert und diskutiert werden.
Grundlegende Konzepte des Storytellings und der Heldenreise.
Pflichtlektüre:
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting
Grundlegende Konzepte des Storytellings und der Heldenreise.
Pflichtlektüre:
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting
Reading list
Text von und über die Ideen und Konzepte von Aristoteles, Joseph Campbell, Robert McKee und Christopher Vogler.Pflichtlektüre:
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting
Association in the course directory
Last modified: Sa 02.04.2022 00:21
The focus is on storytelling in film and other audiovisual media.