170223 UE Exercise Course "Media Transitions" (2020W)
The godfather of story
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 07.09.2020 09:00 to Su 20.09.2020 23:55
- Registration is open from Th 24.09.2020 09:00 to Th 01.10.2020 23:55
- Deregistration possible until Mo 26.10.2020 23:55
Details
max. 40 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
STATUS QUO (02. Okt..2020)
Die LV findet digital statt. Wenn die Verhältnisse es wieder erlauben sollten, werden Präsenzeinheiten eingeschoben.
- Thursday 08.10. 13:15 - 14:45 Digital
- Thursday 15.10. 13:15 - 14:45 Digital
- Thursday 22.10. 13:15 - 14:45 Digital
- Thursday 29.10. 13:15 - 14:45 Digital
- Thursday 05.11. 13:15 - 14:45 Digital
- Thursday 12.11. 13:15 - 14:45 Digital
- Thursday 19.11. 13:15 - 14:45 Digital
- Thursday 26.11. 13:15 - 14:45 Digital
- Thursday 03.12. 13:15 - 14:45 Digital
- Thursday 10.12. 13:15 - 14:45 Digital
- Thursday 17.12. 13:15 - 14:45 Digital
- Thursday 07.01. 13:15 - 14:45 Digital
- Thursday 14.01. 13:15 - 14:45 Digital
- Thursday 21.01. 13:15 - 14:45 Digital
- Thursday 28.01. 13:15 - 14:45 Digital
Information
Aims, contents and method of the course
Assessment and permitted materials
Schriftliche und mündliche Teilleistungen. Einzel und - je nach Corona-Situation - Gruppenarbeiten.
Minimum requirements and assessment criteria
Examination topics
Prüfungsimmanent.
Reading list
Nicole Mahne, Transmediale Erzähltheorie
Robert McKee, Story
Christopher Vogler, The Writer's Journey
Robert McKee, Story
Christopher Vogler, The Writer's Journey
Association in the course directory
Last modified: Fr 12.05.2023 00:18
1) Tellability: Can a good story be told equally well in any medium?
2) Affinity: Is every story equally well suited for every medium or is every medium equally well suited for every story?
3) Transposability: Is it possible to "transport" a story from one medium to another without loss?
4) Media blindness: Do we become blind to the specific possibilities and requirements of a medium if, for example, we transfer the evaluation criteria for a novel to an audiovisual medium?
5) Monomyth: Are all stories in all media just variations of the archetypal hero's journey?