Universität Wien
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170224 SE Research Seminar on Film Studies (2010S)

Anti-Nazi Films in World War II

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 50 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

  • Monday 15.03. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 22.03. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 12.04. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 19.04. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 26.04. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 03.05. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 10.05. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 17.05. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 31.05. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 07.06. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 14.06. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 21.06. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)
  • Monday 28.06. 13:00 - 15:00 (ehem. Jura-Soyfer-Saal (THW) Hofburg, 1.Stock)

Information

Aims, contents and method of the course

Untersuchung der alliierten Filmproduktion zwischen 1939 und 1945 im Kontext propagandistischer Diskurse. Historische Grundkenntnisse werden vorausgesetzt.

Assessment and permitted materials

Anwesenheit (erster Termin obligatorisch), Mitarbeit, Referat, Hausarbeiten (obligatorisch), Abschlussarbeit (obligatorisch).

Minimum requirements and assessment criteria

Examination topics

Reading list

ALDGATE, Anthony/RICHARDS, Jeffrey: Britain Can Take It. British Cinema in the Second World War. New Edition. London: I.B. Tauris, 2007.
BIRDWELL, Michael E.: Celluloid Soldiers. Warner Bros.'s Campaign against Nazism. New York u. London: New York University Press, 1999.
CHAPMAN, James: The British at War: Cinema, State and Propaganda, 1939-45. London: I.B. Tauris, 1998.
DOHERTY, Thomas: Projections of War. Hollywood, American Culture, and World War II. New York: Columbia University Press, 1993.
FOX, Jo: Film Propaganda in Britain and Nazi Germany. Oxford, New York: Berg, 2007.
HORAK, Jan-Christopher: Anti-Nazi-Filme der deutschsprachigen Emigration von Hollywood 1939-1945. Münster: MAkS, 1984.
MANN, Erika u. Klaus: The Other Germany. New York: Modern Age Books, 1940.
MANN, Klaus: "What's Wrong with Anti-Nazi Films?". In: Decision (August 1941). Nachgedruckt in: New German Critique, no. 89 (Spring/Summer 2003).
MURPHY, Robert: British Cinema and the Second World War. London: Continuum, 2000.
POLAN, Dana: Power and Paranoia. History, Narrative, and the American Cinema, 1940-1950. New York: Columbia University Press, 1986.
SHULL, Michael S./WILT, David Edward: Hollywood War Films, 1937-1945. Jefferson, NC u. London: McFarland, 1996.
TAYLOR, Philip M. Taylor (Hg.): Britain and the Cinema in the Second World War. Basingstoke: Macmillan, 1988.

Association in the course directory

II.2.2., 092: § 5(1)

Last modified: Th 16.01.2025 00:13