Universität Wien

170506 VU The Internet of Things (2015S)

Continuous assessment of course work

Deutsch

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 50 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

Blocktermine im Juni

Monday 01.06. 09:45 - 13:00 Hörsaal III NIG Erdgeschoß
Wednesday 03.06. 09:45 - 11:15 Hörsaal III NIG Erdgeschoß
Monday 08.06. 09:45 - 11:15 Hörsaal III NIG Erdgeschoß
Wednesday 10.06. 09:45 - 11:15 Hörsaal III NIG Erdgeschoß
Monday 15.06. 09:45 - 13:00 Hörsaal III NIG Erdgeschoß
Wednesday 17.06. 09:45 - 11:15 Hörsaal III NIG Erdgeschoß
Monday 22.06. 09:45 - 13:00 Hörsaal III NIG Erdgeschoß
Wednesday 24.06. 09:45 - 11:15 Hörsaal III NIG Erdgeschoß
Monday 29.06. 09:45 - 13:00 Hörsaal III NIG Erdgeschoß

Information

Aims, contents and method of the course

The vision of a computerized society, in which everyday smart objects are equipped with digital logic and sensor technologies and connect themselves as learning machines in the "Internet of Things", engages the international research and development across the world. In this context, Media and Cultural Theories, dealing with the different aspects of materiality related to digital objects, have experienced a huge upturn. The investigation of digital material culture has developed a wide range of research questions. It extends from the early 2000s along two major strands of research: (1) from the technical and material conditions of hardware and software up to (2) the social, political, economical and legally relevant infrastructures and power relations of proprietary networks, versions and protocols. Eventually, the gradual establishment of the "Software Studies", the "Critical Code Studies" and " Media Archeology " in the academic field by representatives as David Berry, Wendy Chun, Alexander Galloway, Mark Hansen, Katherine Hayles, Friedrich Kittler, Lev Manovich, William Mitchell, Anna Munster, Adrian Mackenzie, Jussi Parikka, Eugene Thacker, among others can also be understood as an indicator of institutionalization of media-materialistic questions. Reason enough to undergo an exhaustive methodological reflection on the different positions of the "Digital Materialism".

Assessment and permitted materials

Schriftliche Abschlussarbeit, Abgabe: Ende Juli 2015

Minimum requirements and assessment criteria

Ziel der Lehrveranstaltung ist die Vermittlung von Strukturwissen, das von den Studierenden in anwendungsorientierten Erkundungsfeldern selbständig und kreativ weiter entwickelt werden kann. Die LV fokussiert eine inhaltlich umfassende Qualifizierung von Studierenden, die sich mit der Kultur, Ästhetik und Technologie digitaler Medien sowohl wissenschaftlich als auch künstlerisch-kreativ auseinander setzen wollen.

Examination topics

In the area of research-oriented questions, the contributions deal with epistemological and methodological-critique reflections of the media materialistic approach. In which philosophical traditions the do the key representatives of "Digital Materialism" place themselves? "Materiality " is an imported term that only entered in the discussions for the study of the digital after the year 2000. In what way do key representatives of the "Digital Materialism" assume canonical models, if they examine the "transcendental", "empirical" or " historical- material " conditions of data networks? Following Matthew Kirschenbaum's (2008) conception of "formal materiality" as "the imposition of multiple relational computational states on a data set or digital object " (p 12), we would like to work out/ evaluate the practical relevance of the materiality of recording, of storing and processing, alongside the technical modeling of storage, media digital objects, discrete data and of metadata- guided processing operations. Thereby we consider, subsequently to the result of Matthew Fullers work, Software (2003; 2008) always as a historical knowledge base, which has its own history and consequently not only limited to follow technological norms and standards, but also social, institutional and cultural settings.

Reading list

Boomen, Marianne van den (2014): Transcoding the Digital: How Metaphors Matter in New Media, Amsterdam: Institute of Network Cultures.
Fuller, Matthew (2003): Behind the Blip: Essays on the Culture of Software, London: Autonomedia.
- (2008): Software Studies\A Lexicon, Cambridge/Mass.: MIT Press
Kirschenbaum, Matthew G. (2008): Mechanisms: New Media and the Forensic Imagination, Cambridge/Mass.: MIT Press.
Latour, Bruno (1987): Science in Action: How to Follow Scientists and Engineers through Society, Harvard: Harvard University Press.
Montfort, Nick (2004): The Early Materiality and Workings of Electronic Literature, MLA Convention in Philadelphia, Online: http://nickm.com/writing/essays/continuous_paper_mla.html

Association in the course directory

Last modified: Mo 07.09.2020 15:36