170999 UE Media Aesthetics in Everyday Use (2022S)
Theatre in the Digital Space
Continuous assessment of course work
Labels
Es kann sich nur anmelden, wer bereits erfolgreich eine Vorlesung im Erweiterungscurriculum besucht hat. Die Teilnahme ohne abgeschlossene (!) VO ist in keinem Fall möglich.Bitte wählen Sie bei der Eingabemaske auf u:space aus den möglichen Optionen "Erweiterungscurriculum" aus und lesen Sie die Informationen der SPL-Website durch, damit Ihre Anmeldung berücksichtigt werden kann:
https://spl-tfm.univie.ac.at/studium/studien/ec-medienaesthetik/Wenn Sie nicht fürs EC "Medienästhetik" registriert sind, kann Ihre Anmeldung zur Prüfung nicht korrekt zugeordnet werden!ANLEITUNG ZUR REGISTRIERUNG DES EC "A 171 Medienästhetik im Alltagseinsatz":https://www.youtube.com/watch?v=2uUQBRJFGNQ
https://spl-tfm.univie.ac.at/studium/studien/ec-medienaesthetik/Wenn Sie nicht fürs EC "Medienästhetik" registriert sind, kann Ihre Anmeldung zur Prüfung nicht korrekt zugeordnet werden!ANLEITUNG ZUR REGISTRIERUNG DES EC "A 171 Medienästhetik im Alltagseinsatz":https://www.youtube.com/watch?v=2uUQBRJFGNQ
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 07.02.2022 09:00 to Mo 21.02.2022 23:55
- Registration is open from Fr 25.02.2022 09:00 to Th 03.03.2022 23:55
- Deregistration possible until Fr 01.04.2022 23:55
Details
max. 30 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Monday 07.03. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 14.03. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 21.03. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 28.03. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 04.04. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 25.04. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 02.05. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 09.05. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 16.05. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 23.05. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 30.05. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 13.06. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 20.06. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
- Monday 27.06. 09:45 - 11:15 Seminarraum 4 2H558 UZA II Rotunde
Information
Aims, contents and method of the course
Assessment and permitted materials
Continuous attendance. Willingness to engage in discussion. Oral and written homework exercises. Lecture and written work material.
Minimum requirements and assessment criteria
Three mandatory performance visits analog and digital (25%). Continuous attendance and willingness to discuss (25%). Oral and written homework exercises (25%). Lecture and written work material (25%).
Examination topics
Reading list
Schwarz, Samuel/Soland, Corinne: Digitalbühne Zürich: Die Schauspielerin 4.0, In: Pöllmann, Lorenz/Herrmann, Clara (Hrsg.): Der digitale Kulturbetrieb. Wien: Springer, 2019. / Krajnik, Robert: Vom Theater zum Cyberspace. Bielefeld: transcript Verlag, 2016. / Kaldrack, Irina: Digitale Kulturen zwischen ewigem Update und sta(tis)tischer Zukunft, in: Förster, Marius/Hebert, Saskia/Hofmann, Mona/Jonas, Wolfgang: Un/Certain Futures. Bielefeld: transcript Verlag, 2018. / Netztheater. Positionen, Praxis, Produktionen, herausgegeben von der Heinrich-Böll-Stiftung und nachtkritik.de in Zusammenarbeit mit weltuebergang.net, 2021. / Han, Byung-Chul, Im Schwarm. Ansichten des Digitalen, Berlin: Matthes & Seitz, 2017. / Dixon, Steve, Digital Performance. A History of New Media in Theater, Dance, Performance Art, and Installation, Cambridge: The MIT Press, 2007. / Naveau, Manuela: Crowd and Art. Kunst und Partizipation im Internet. Bielefeld: transcript Verlag, 2017. / Pfost, Haiko; Renfordt, Wilma; Schreiber, Falk /Hrsg.): Lernen aus dem Lockdown? Nachdenken über Freies Theater. Berlin: Alexander Verlag, 2020.
Association in the course directory
Last modified: Fr 01.04.2022 09:08
It is not only since the Corona pandemic that artists have been dealing with theatrical forms of presentation and the creation of performative interaction with the audience in digital space. Nevertheless, the last twelve months have seen an increase in formats, aesthetic approaches, and technical solutions in order to not completely lose communication with the audience through art. This has also increased the discussions about the necessity, the advantages and disadvantages, and the meaningfulness of all these undertakings, which are as diverse as the art productions that have emerged in the process.
In this lecture, the historical anchoring of digital theater will be made visible and tangible by means of concrete examples. The historical outline will be followed by a survey of the present in order to enable a more precise definition of digital theater. The phenomenon of "digital theater" will thus be examined from its historical roots to its future viability.
In the current theater discourse, it is becoming increasingly apparent that the definitions of theater would have to be subjected to a revision or that the concept of theater must be expanded to include digital phenomena. The conceptualization should take place in the interaction between theory and practice. In addition, international experts will be invited to participate in the discussions who have currently realized projects in the digital space and whose expertise, which is not only result-oriented, but also process-oriented, can flow into the discussions.
The course will take place in an analog and digital format.