180002 VO-L Philosophy On Stage 4 (2015W)
Artist-Philosophers: Nietzsche et cetera
Labels
Details
Language: German
Examination dates
- Thursday 17.12.2015 18:30 - 20:00 Hörsaal 34 Hauptgebäude, Hochparterre, Stiege 6
- Thursday 03.03.2016 18:30 - 20:00 Hörsaal I NIG Erdgeschoß
- Thursday 28.04.2016 18:30 - 20:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Thursday 30.06.2016 18:30 - 20:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Lecturers
Classes (iCal) - next class is marked with N
INTRODUCTION to the circle lecture:
Thursday, Oktober 15th 2015 18.30-20.00 Place: Room 47, Main Building, 2.Floor, Step 8
SCORES // PHILOSOPHY ON STAGE #4 Day 2: Friday, Nov. 27, 2015; 11:30– 01:00 [28. Nov.]; TQW HALLE G and Studios
SCORES // PHILOSOPHY ON STAGE #4 Day 3: Saturday, Nov. 28, 2015; 11:30–01:00 [29. Nov.]; TQW HALLE G and Studios
SCORES // PHILOSOPHY ON STAGE #4 Day 4: Sunday, Nov. 29th 2015; 11:30-15:00; TQW HALLE G and StudiosDEBRIEFUNG: Thursday, Dezember 10, 2015 18.30-20.00 ORT: Room 47 Main Building, 2.Floor, Step 8
- Thursday 15.10. 18:30 - 21:30 (ehem. Hörsaal 47 Hauptgebäude, 2.Stock, Stiege 8)
- Thursday 10.12. 18:30 - 20:00 (ehem. Hörsaal 47 Hauptgebäude, 2.Stock, Stiege 8)
Information
Aims, contents and method of the course
Assessment and permitted materials
At the end of the semester there will be a written examination (Possible to write in German or in English)
Date of the first written examination:
THURSDAY, December 17th 2015 18.30-20.00 PLACE: Room 32 Main Building, 1.Floor, Step 9
(There will be three more possibilities for written examinations in the first week of March, end of April and end of June).
Overall score: physical participation (25%), written examination (75%)
Date of the first written examination:
THURSDAY, December 17th 2015 18.30-20.00 PLACE: Room 32 Main Building, 1.Floor, Step 9
(There will be three more possibilities for written examinations in the first week of March, end of April and end of June).
Overall score: physical participation (25%), written examination (75%)
Minimum requirements and assessment criteria
1. Confrontation with new ways of performing philosophy
2. Introducing philosophical practices of art based research
3. Discussing major philosophical issues concerning Nietzsche and the artist philosopher, the performance philosophy, theatre and space.
2. Introducing philosophical practices of art based research
3. Discussing major philosophical issues concerning Nietzsche and the artist philosopher, the performance philosophy, theatre and space.
Examination topics
art based research: lectures, interventions, lecture-performances at the margin of art and philosophy
Reading list
Böhler, Arno u. a. (Hg.): Korporale Performanz. Zur bedeutungsgenerierenden Dimension des Leibes. Bielefeld: Transcript 2013.
Böhler, Arno / Kruschkova, Krassimira / Valerie, Susanne (Hrsg.): Wissen wir, was ein Körper vermag?, Bielefeld: Transcript 2014.
Cull, Laura / Lagaay, Alice (eds.): Encounters in Performance Philosophy. Basingstoke: Palgrave Macmillan 2014.
Kruschkova, Krassimira u.a. (Hg.): Scores No6: On Adresssing, Tanzquartier Wien 2014.
Parkes, Graham: Composing the Soul: Reaches of Nietzsche's Psychology. Chicago: University of Chicago Press 1994.
Totzke, Rainer: Buchstaben-Folgen. Schriftlichkeit, Wissenschaft und Heideggers Kritik an der Wissenschaftsideologie. Weilerswist: Velbrück-Wissenschaft 2004.
Reeve, Hester: Guest: Brain Catling ; Host: Hester Reeve. London: Artwords Press 2008.
Schäfer, Elisabeth: Die offene Seite der Schrift. Jacques Derrida und Hélène Cixous Côte à Côte. Wien: Passagen Verlag 2008.
Valerie [Granzer], Susanne / Ingrisch, Doris: Wissenschaft und Kunst. Don't Mind the Gap. Bielefeld, Transcript 2014.
Valerie [Granzer], Susanne: Schauspieler außer sich. Exponiertheit und performative Kunst. Bielefeld, Transcript 2011.
Böhler, Arno / Kruschkova, Krassimira / Valerie, Susanne (Hrsg.): Wissen wir, was ein Körper vermag?, Bielefeld: Transcript 2014.
Cull, Laura / Lagaay, Alice (eds.): Encounters in Performance Philosophy. Basingstoke: Palgrave Macmillan 2014.
Kruschkova, Krassimira u.a. (Hg.): Scores No6: On Adresssing, Tanzquartier Wien 2014.
Parkes, Graham: Composing the Soul: Reaches of Nietzsche's Psychology. Chicago: University of Chicago Press 1994.
Totzke, Rainer: Buchstaben-Folgen. Schriftlichkeit, Wissenschaft und Heideggers Kritik an der Wissenschaftsideologie. Weilerswist: Velbrück-Wissenschaft 2004.
Reeve, Hester: Guest: Brain Catling ; Host: Hester Reeve. London: Artwords Press 2008.
Schäfer, Elisabeth: Die offene Seite der Schrift. Jacques Derrida und Hélène Cixous Côte à Côte. Wien: Passagen Verlag 2008.
Valerie [Granzer], Susanne / Ingrisch, Doris: Wissenschaft und Kunst. Don't Mind the Gap. Bielefeld, Transcript 2014.
Valerie [Granzer], Susanne: Schauspieler außer sich. Exponiertheit und performative Kunst. Bielefeld, Transcript 2011.
Association in the course directory
M-10 Kunst, Kultur, Religion
MA M3E, M2
EC 1.1
HPS M4
MA M3E, M2
EC 1.1
HPS M4
Last modified: Mo 07.09.2020 15:36
Over the course of four days, more than 60 philosophers and artists will come together to explore whether the arts in connection with philosophy can constitute a laboratory for the future. Nietzsche envisioned a fusion of the resistant forces of both disciplines as a foreplay of a philosophy of the future; which was to bring about a new, active concept of thinking: an active thinking of the untimely, that is, says Deleuze with Nietzsche: acting in a non-present fashion, therefore against time and even on time, in favour [...] of a time to come. (Deleuze, Nietzsche and Philosophy)
Well, bring it on!WITH: Bernadette Anzengruber / Daniel Aschwanden / Paolo de Assis (ME21) / Manora Auersperg / Jens Badura / Arno Böhler / Milli Bitterli / Kristof van Boven / Laura Cull / Tess Denman Cleaver / Karlheinz Essl / Nikolaus Gansterer / Volker Gerhardt / Susanne Valerie Granzer / Franz Hautzinger / Richard Heinrich / Agnes Heginger / Hans Hoffer / Saskia Hölbling / Jörg Holkenbrink (Theater der Versammlung Bremen) / Marie Jung / Corinna Kirchhoff / Barbara Kraus / Alice Lagaay / Erin Manning / Brian Massumi / Anna Mendelssohn / Dieter Mersch / Wolfgang Michael / Wolfgang Mitterer / Graham Parkes / Helen Parkes / Philosophy Unbound / Frans Poelstra / Martin Puchner / Hester Reeve / Robert Schnepf / Michael Schwab (ME21) / Peter Stamer / Sublin/mes. Philosophieren von unten / Rainer Totzke / Tanja Traxler / Violetta L. Waibel / Simone Weißenfels / Frank Willens / Martin Wuttke / Diana María Acevedo Zapata / Conny Zenk i. a.DATES: [the excact programme will be available online soon!]PRELIMINARY LECTURE: Thursday,October 15.th 2015 18.30-20.00 PLACE: Hörsaal 32 Hauptgebäude, 1.Stock, Stiege 9SCORES // PHILOSOPHY ON STAGE #4 DAY 1: Thursday, Nov. 26th 2015; 18:00–23:00; TQW HALLE G and StudiosSCORES // PHILOSOPHY ON STAGE #4 DAY 2: Friday, Nov. 27th 2015; 11:30–01:00 [Nov. 28th]; TQW HALLE G and StudiosSCORES // PHILOSOPHY ON STAGE #4 DAY 3: Saturday, Nov. 28th 2015; 11:30–01:00 [Nov. 29th]; TQW HALLE G and StudiosSCORES // PHILOSOPHY ON STAGE #4 DAY 4: Sunday, Nov. 29th 2015; 11:30–15:00; TQW HALLE G and StudiosDEBRIEFING: Thursday, December 10.th 2015 18.30-20.00 PLACE: Hörsaal 32 Hauptgebäude, 1.Stock, Stiege 9The lecture series is realized in the course of the PEEK-Projekt „Artist-Philosophers. Philosophy AS Arts-Based-Research“ [AR275-G21] (led by Arno Boehler) is funded by the Austrian Science Fund (FWF) as part of the programme for artistic development and investigation (PEEK). Research location: University of Applied Arts Vienna. Brought about in national and international cooperation with: Jens Badura (HdK Zürich), Laura Cull (University of Surrey), Susanne Valerie Granzer (Universität für Musik und darstellende Kunst Wien/Max Reinhardt Seminar), Walter Heun (Tanzquartier Wien), Alice Lagaay (Universität Bremen): Postdoc: Elisabeth Schäfer (University of Applied Arts Vienna). The lecture series was produced in collaboration with: Institut für Philosophie, University of Applied Arts Vienna [Arno Böhler], Institut für Theater- Film- und Medienwissenschaft der Universität Wien [Krassimira Kruschkova].