180049 KU Aesthetics in the Context of Indian Philosophies (2018W)
The Heart as the Place of Aesthetic Receptivity
Continuous assessment of course work
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Details
max. 30 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
Due to Boehler's research in Asia this course will end on December 11, 2018. Each weekly lecture will therefore last three instead of two hours.
Tuesday
02.10.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
09.10.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
16.10.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
23.10.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
30.10.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
06.11.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
13.11.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
20.11.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
27.11.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
04.12.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Tuesday
11.12.
10:45 - 13:00
Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Information
Aims, contents and method of the course
Assessment and permitted materials
Oral Presentation (15 minutes) + 4 written reflections (total lenght of all four papers approx.12 pages) based on the literature we are reading in the course. (Deadline for the written refelctions: 15, February 2019. The third criterion for the grade is your active participation in the seminar and its discussions.
Grading scale: oral presentation (30%), Participation in discussions during the seminar seminar (30%), written papers (40%) = 100% total score
By registering for this course you accept that all of your written work submitted via moodle will be checked by the automated plagiarism test software Turnitin.
Grading scale: oral presentation (30%), Participation in discussions during the seminar seminar (30%), written papers (40%) = 100% total score
By registering for this course you accept that all of your written work submitted via moodle will be checked by the automated plagiarism test software Turnitin.
Minimum requirements and assessment criteria
Minimum requirements for a passing grade: over 50% of the overall score
For a positive evaluation attendance is compulsory. In case of an excused absence (max. 2 times per semester) please inform the seminar leader in time!
For a positive evaluation attendance is compulsory. In case of an excused absence (max. 2 times per semester) please inform the seminar leader in time!
Examination topics
see literature (made available on moodle)
Reading list
Bäumer, Bettina: Die flüssige Natur ästhetischer Erfahrung. Polylog 35 (2016), 89–95.Bharata Muni: The Nāṭyaśāstra. Übersetzt von Manomohan Ghosh. Asiatic Society of Bengal: Calcutta 1951.Böhler, Arno: „Open Bodies.“ Paragrana 18 (2009), 119–131.Böhler, Arno und Loughnane, Adam und Parkes, Graham: „Performing Philosophy in Asian Traditions.“ Performance Philosophy Journal Vol 1 (2015), 133–147.Böhler Arno und Loughnane, Adam und Parkes, Graham und Granzer, Susanne: „Kunst und Philosophie im Zwischen der Kulturen. Ein E-Mail-Gespräch.“ Polylog 35 (2016), 7–33.Saxena, S. K.: Aesthetics. Approaches, Concepts and Problems. Sangeet Natak Adademi: India 2010.White, David Gordon: „Yogic Rays: The Self-Externalization of the Yogi in Ritual, Narrative and Philosophy.“ Paragrana 18 (2009), 64–77.
Association in the course directory
Last modified: Tu 19.02.2019 12:48
In the course of the semester we intend to generate a philosophical understanding of the crucial role the arts play in Indian philosophies by a close reading of classical (Nāṭyaśāstra) and contemporary texts on Indian aesthetics (Bettina Bäumer, Susanne K. Langer, S.K. Saxena and others). The central focus of our readings will be the conception of a philosophy of "sensing", claiming that a sincere body, that is to say, somebody who is said to have a heart (sahṛdaya) is able to intuit the relation between time and eternity. It is this philosophical insight (into the relation of time and eternity), the arts traditionally channel a pathway in the classical reading of Indian aesthetics.