Universität Wien

180049 SE Denis Diderot's aesthetic writings (2024S)

5.00 ECTS (2.00 SWS), SPL 18 - Philosophie
Continuous assessment of course work
Tu 28.05. 16:45-18:15 Hörsaal 2i NIG 2.Stock C0228

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

Tuesday 19.03. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 09.04. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 16.04. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 23.04. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 30.04. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 07.05. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 14.05. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 21.05. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 04.06. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 11.06. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 18.06. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228
Tuesday 25.06. 16:45 - 18:15 Hörsaal 2i NIG 2.Stock C0228

Information

Aims, contents and method of the course

Denis Diderot (1713-1784) is best known for his editorship of and extensive involvement in the Encyclopédie, an extremely ambitious project that took two decades to complete in the second half of the 18th century and aimed to reflect the state of knowledge of the century and at the same time facilitate better, more enlightened thinking. In addition to countless entries in the Encyclopédie, Diderot's work also includes a series of epistemological, literary and specifically aesthetic writings. However, current demarcations would fail if one were to attempt to pigeonhole these texts.

In his role as the main editor of the Encyclopédie, Diderot worked with several people to compile comprehensive knowledge and pass it on to the readership. The Encyclopédie project emphasized the central role of rationality and empirical observation in the systematic presentation of knowledge. Despite the obvious systematicity and internal coherence of the Encyclopédie, this approach does not suffice to capture the full scope and diversity of Diderot’s intellectual contributions.

A closer look at Diderot’s thoughts on aesthetics reveals the complex and ambiguous world of thought of this atheistic naturalist. For Diderot is not only “creative” in his role as a translator of Shaftesbury, he also reflects on how blind people perceive a world divided into philosophical categories by philosophers who see. His reviews of the Paris salons are among the origins of art criticism.

The seminar will be devoted to this multitude of approaches and will attempt to provide an introduction to Diderot’s exciting and multifaceted philosophy through his aesthetic writings.

Some knowledge of French is desirable, even though our readings will mostly be in German and English.

Students are confronted with central problems of 18th century philosophical aesthetics and learn to develop independent questions and positions on these. The joint preparation for writing a concrete research article is one of the learning objectives of this seminar. Regular engagement with the primary texts using a learning journal kept by all participants provides the basis for habitual writing and the starting point for our weekly discussions.

Method: preparatory reading of selected passages from Diderot’s philosophical writings and secondary literature, weekly discussions in the lecture hall. Introduction to writing an SE paper.

IMPORTANT: The format of the seminar paper for this SE corresponds to the editorial specifications that could apply to a first submission draft for the DIDEROT STUDIES: Length 2,500 words (including abstract and references). Students are encouraged to adhere to the format requirements of the actual scientific journal in order to practise practical work. Seminar papers are accepted in German, English and French.

Assessment and permitted materials

Regular attendance and participation in our discussions are required. Your performance will be assessed by evaluating your written and spoken contributions (see below).

Minimum requirements and assessment criteria

The minimum requirement for a positive grade is the submission of two short pieces of written work (excerpt/commentary) by the scheduled deadlines in the semester, the regular keeping of a learning journal (weekly submission as a PDF in Moodle) and submission of a short SE paper by the end of September at the latest. A podcast (as a movie or radio podcast) may replace both, excerpt and commentary. The learning diary is to be kept by all participants and also partly forms the basis of our discussions.

Assessment standard:
Excerpt and commentary can each score 7 points. The learning journal is assessed with 36 points. The SE paper can receive a maximum of 50 points. These written assignments account for 70 % of the semester grade, while your active participation in the discussions accounts for 30 %.
By participating in this seminar, you agree to have your contributions checked by the plagiarism software Turnitin.

Examination topics

As this is an exam-immanent course, there is no final exam. The texts listed under “literature” form the basis of our work, for which you will be assessed as described above.

Reading list

I will supply most of the texts via Moodle. Nevertheless, I would recommend that you buy or loan these two:

Diderot, Denis (2005): Schriften zur Kunst. Ausgewählt und mit einem Nachwort von Peter Bexte. Berlin u. Hamburg: Philo Fine Arts.
Diderot, Denis (2013): Philosophische Schriften. Hg. und mit einem Nachwort von Alexander Becker. Berlin: Suhrkamp.

Association in the course directory

Last modified: Tu 05.03.2024 18:06