Universität Wien
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240032 VO BM7 Violence - forms of memory, the emergence of narratives and transgenerational impact (2024S)

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: German

Examination dates

Lecturers

Classes (iCal) - next class is marked with N

Attention
On Tuesday 16.04.2024 there will be a double unit:
16:45 - 20:00 Lecture hall A, NIG 4th floor A0424

  • Tuesday 05.03. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 09.04. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 16.04. 16:45 - 20:00 Hörsaal A, NIG 4.Stock
  • Tuesday 23.04. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 30.04. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 07.05. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 14.05. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 21.05. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 04.06. 16:45 - 20:00 Hörsaal A, NIG 4.Stock
  • Tuesday 11.06. 16:45 - 18:15 Hörsaal A, NIG 4.Stock
  • Tuesday 18.06. 16:45 - 18:15 Hörsaal A, NIG 4.Stock

Information

Aims, contents and method of the course

Teaching content
The emergence of narratives is examined discussing different forms of mass violence in the last century. The regional focus is on West Asia and the Caucasus.
Questions of denial of state violence, the enforced silence of survivors afterwards, i.e. questions of 'hidden genocides' (Stanley Cohen), of 'remembering and forgetting' (Paul Connerton), of concealment, denial (Tony Robben) and of active coping are discussed. The role of the media in the representation and treatment of conflicts is critically examined. Finally, the importance of artistic forms of expression will be discussed. People are often at the end of their capacities when it comes to recounting extreme violence they have suffered or witnessed or presenting it in comprehensible narratives. Art and art productions play an essential role in expressing and conveying the unspeakable. After all, art plays a significant role in the creation of cultures of remembrance and commemoration.
The following historical events, their narratives, transgenerational transmission and forms of art production will be the main focus: The persecution of Christian and demographically small religious communities during World War I in the Ottoman Empire - the mass violence against Alevi communities in the 1930s and 1980s - the genocidal violence against Kurds in Iraq in the 1980s and the persecution of Yezidis by IS from 2016 onwards.
In the main part of the course, theoretical approaches from the Anthropology of Violence and Conflict, Memory Studies and Media and Anthropology of Art will be discussed. The emergence of memory in the generation of survivors, transgenerational effectiveness and narratives in the next generations will be analysed. Attention will also be paid to gender-specific violence. The emergence of forms of memory will be outlined using the example of different representations (visual arts, film, music productions).
Teaching objectives
The theoretical instruments of KSA will be introduced in order to be able to examine such processes. The long-term consequences that last for generations are discussed. Students will learn about the long-term social effects that forms of extreme violence can have and the relevance of social anthropological tools for analysis. Finally, students should be able to apply these approaches to their own research.
Teaching methods
Frontal teaching; each course unit is assigned a compulsory literature; discussion of the compulsory literature; at least one guest lecture; multimedia material is used to further illustrate the methodological instruments of KSA and discuss their application.

Assessment and permitted materials

Examination modalities
90-minute written examin on the lecture material presented and the compulsory reading after the end of the course; combination of closed questions and short essay. The first examination date will take place at the end of SS 2024 and three further examination dates in the following WS 2024/25; registration required. Permitted aids for the examination: none

Minimum requirements and assessment criteria

Assessment key:
Very good: 100 % to 91 %
Good: 90 % to 76 %
Satisfactory: 75 % to 61 %
Sufficient: 60 % to 51 %
Not sufficient: 50 % and less

Examination topics

Content of the course, compulsory literature

Reading list

Compulsory literature
Bilal, Melissa 2019, Lullabies and the memory of pain: Armenian women’s remembrance of the past in Turkey. In: Dialectical Anthropology (online Version)
Eccarius-Kelly, Vera, 2014, The imaginary Kurdish museum: Ordinary Kurds, narrative nationalism and collective memory. In Kurdish Studies, Vol3, 2, 172 – 191.
Göner, Özlem, 2019, A collective memory in production: gender politics of 1938 in Turkey. In Dialectical Anthropology, (online Version A collective memory in production: gender politics of 1938 in Turkey | Dialectical Anthropology (springer.com))
Hinton, Alexander L. 2019. Look Again – Aleppo: The Last Lesson on Prevention. In Rethinking Peace: Discourse, Memory, Translation, and Dialogue 221-238, ed. by Hinton/Shani/Alberg,. New York: Rowman & Littlefield.
Levy, Daniel; Sznaider, Natan 2002: Memory Unbound: The Holocaust and the Formation of Cosmopolitan Memory. In European Journal of Social Theory 5: 87 – 106.
Moradi, Fazil, 2015, Genocide in translation: on memory, remembrance, and politics of the future. In Memory and Genocide: On What Remains and the Possibility of Representation, 57- 74. ed. by Moradi/Buchenhorst/Six-Hohenbalken-
Robben, Anthonius 2016. Rethinking the Anthropology of Violence for the Twenty-First Century: From Practice to Mediation. Conflict and Society 2: 1-3.
Schäuble, Michaela. 2011. “All Filmmaking is a Form of Therapy”: Visualizing Memories of War Violence in the Animation Film Waltz with Bashir. In “Violence Expressed”, ed. by Six-Hohenbalken/Weiss 203 – 222.
Schramm, Katharina, 2011, Landscapes of Violence: Memory and Sacred Space. In: History and Memory, Vol 23,1, 5 – 22.
Six-Hohenbalken, Maria, 2016, ‘“We do really need Hollywood” – Filmmaking and remembrance of acts of genocide in the Kurdish transnation’, in Memories on the Move. Experiencing Mobility (eds) M. Palmberger and J. Tošic, 157–83, Basingstoke: Palgrave Macmillan.

Association in the course directory

Last modified: Fr 02.08.2024 10:26