340195 UE Text Competence written: English (2020S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 10.02.2020 00:01 to Fr 21.02.2020 17:00
- Registration is open from Mo 09.03.2020 00:01 to Fr 13.03.2020 17:00
- Deregistration possible until Tu 31.03.2020 23:59
Details
max. 30 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Friday 13.03. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 20.03. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 27.03. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 03.04. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 08.05. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 15.05. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 22.05. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 29.05. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 05.06. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 12.06. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 19.06. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
- Friday 26.06. 14:00 - 15:30 Seminarraum 9 ZfT Philippovichgasse 11, 2.OG
Information
Aims, contents and method of the course
Textually literate ..., are we? And: What is good writing?We can all weave our own texts, kélims, and I am sure you are all hungry for an edge. There are many ways … of writing … reading … Let’s be like foxes, making “more tracks than necessary, some in the wrong direction” (Berry 1991) ...In this class on textual literacy, you will experience a challenging but cooperative, collaborative and supportive environment in which you can experiment with your own individual communicative resources (metaphor of repertoire: whatever you bring to this class—let’s play with it, strengthen it, further develop it!). Classroom cohesion will be of vital importance because it contributes to reducing the fear of embarrassment. We shall aim at group accomplishment—with regular peer reviews in and out of class.It is important to note that peer reviewing does not aim at intervention and (immediate) change (i.e. we won’t discuss do’s and don’ts; no simple cause-effect relationships). Peer reviewing can help us to gain a more realistic assessment of our own (textual) agency. It strengthens reflection on matters of choice, alternative, and consequence: intended (we—as writers) and experienced (we—as readers). Two maxims will guide our work in class: clarity & impact.“Language [and in our case: textual interaction] isn’t about words, or information, or things” (Cooke 2011)—it is always about us and our readers. To us, texts are social events (not sealed containers or manufactured products). Before we charge a text with a certain function we will need to create a fabric that readers would like to touch in the first place, something they would like to keep ...The story of our class goes like this: ‘There and back again. A writer’s tale.’—From empty page to idea … character/letter, morpheme, word, collocation/expression/idiom, clause, sentence, paragraph, text (multisensual, including visuals), (discourse) … … … and all the way back to 'clean slate revisited'.In your weekly assignments, you will be dealing with everyday life writings (including text-speak), academic articles, art creations, business compositions, and health texts.Our classroom work will take us from reflex to reflexion: ‘Know your readers!'—is there really a way? ‘Communicate effectively!’—to whose benefit? ‘Act authentically!’—how to when you have to tell somebody else’s story?What about this course catalogue entry? Is this good writing? You doubt it? Let's discuss it in class ... So, I see you there.
Assessment and permitted materials
Assessment will be based on the following: two tests (50%), completion of written homework assignments (50%).
Students are allowed to use a hard-copy (monolingual) dictionary in exams.
Students are allowed to use a hard-copy (monolingual) dictionary in exams.
Minimum requirements and assessment criteria
Excellent knowledge of English.
Students are required to demonstrate that they can apply and possibly adapt the methods and strategies presented in class to new texts and genres.
Development of personal writing skills.
Students must complete all assignments and attend at least 10 of the 12 lessons.
Grading: 90% 1 // 80% 2 // 70% 3 // 60% 4 // 59% 5 (fail).
Students are required to demonstrate that they can apply and possibly adapt the methods and strategies presented in class to new texts and genres.
Development of personal writing skills.
Students must complete all assignments and attend at least 10 of the 12 lessons.
Grading: 90% 1 // 80% 2 // 70% 3 // 60% 4 // 59% 5 (fail).
Examination topics
Both tests will be based on the homework assignments and our reflections in class.Students will achieve the course objectives by:
(i) analysing and assessing a variety of texts;
(ii) writing and adapting/rewriting texts for various situations, target groups and media;
(iii) reflecting on and discussing the multiple, sequential steps in the composition process;
(iv) incorporating theoretical input given in class in their assignments and applying strategies and methods accordingly.
(i) analysing and assessing a variety of texts;
(ii) writing and adapting/rewriting texts for various situations, target groups and media;
(iii) reflecting on and discussing the multiple, sequential steps in the composition process;
(iv) incorporating theoretical input given in class in their assignments and applying strategies and methods accordingly.
Reading list
Brownholtz, Bethany M. 2013. [Queneau's] Exercises in Style: 21st Century Remix. College of Liberal Arts & Social Sciences—Theses and Dissertations 138. https://via.library.depaul.edu/etd/138/ [22/01/2020].
Cooke, Michèle. 2011. Lightning Flash! Language, longing and the facts of life. Peter Lang: Frankfurt am Main.
Cooke, Michèle. 2012. Tell It Like It Is? Science, society and the ivory tower. Peter Lang: Frankfurt am Main.
Goldberg, Natalie. 2005. Writing Down the Bones: Freeing the Writer Within. Boston (MA): Shambhala.
Jacquemet, Marco. 2005. Transidiomatic practices: Language and power in the age of globalization. Language & Communication 25, 257-277.
Lebrun, Jean-Luc. 2010. Scientific writing: A reader and writer's guide. Singapore: World Scientific.
Mesthrie, Rajend & Rakesh M. Bhatt. 2008. World Englishes: The Study of new linguistic varieties. Cambridge: Cambridge University Press.
Miller, Brenda & Paola, Suzanne. 2012. Tell It Slant! Writing and shaping creative nonfiction. New York: McGraw-Hill.
Olson, Randy. 2009. Don’t be such a scientist. Talking substance in an age of style. Washington: Island Press.
Pennycook, Alastair. 2008. Translingual English. Australian Review of Applied Linguistics 31 (3), 301-309.
Schneider, Edgar W. & Bernd Kortmann (eds.). 2008. Varieties of English. 4 Volumes. Berlin & Boston: De Gruyter.
Seidlhofer, Barbara. 2011. Understanding English as a Lingua Franca. Oxford: Oxford University Press.
Sword, Helen. 2012. Stylish Academic Writing. Boston (MA): Harvard University Press.
Wroe, Ann. 2018. The Economist Style Guide. London: Profile Books.
Zinsser, William. 2016. On Writing Well: The Classic Guide to Writing Nonfiction. Revised and Expanded. New York: Harper Perennial.
Reading material provided—check out our Textual Literacy Cyber Library (Moodle)!
Cooke, Michèle. 2011. Lightning Flash! Language, longing and the facts of life. Peter Lang: Frankfurt am Main.
Cooke, Michèle. 2012. Tell It Like It Is? Science, society and the ivory tower. Peter Lang: Frankfurt am Main.
Goldberg, Natalie. 2005. Writing Down the Bones: Freeing the Writer Within. Boston (MA): Shambhala.
Jacquemet, Marco. 2005. Transidiomatic practices: Language and power in the age of globalization. Language & Communication 25, 257-277.
Lebrun, Jean-Luc. 2010. Scientific writing: A reader and writer's guide. Singapore: World Scientific.
Mesthrie, Rajend & Rakesh M. Bhatt. 2008. World Englishes: The Study of new linguistic varieties. Cambridge: Cambridge University Press.
Miller, Brenda & Paola, Suzanne. 2012. Tell It Slant! Writing and shaping creative nonfiction. New York: McGraw-Hill.
Olson, Randy. 2009. Don’t be such a scientist. Talking substance in an age of style. Washington: Island Press.
Pennycook, Alastair. 2008. Translingual English. Australian Review of Applied Linguistics 31 (3), 301-309.
Schneider, Edgar W. & Bernd Kortmann (eds.). 2008. Varieties of English. 4 Volumes. Berlin & Boston: De Gruyter.
Seidlhofer, Barbara. 2011. Understanding English as a Lingua Franca. Oxford: Oxford University Press.
Sword, Helen. 2012. Stylish Academic Writing. Boston (MA): Harvard University Press.
Wroe, Ann. 2018. The Economist Style Guide. London: Profile Books.
Zinsser, William. 2016. On Writing Well: The Classic Guide to Writing Nonfiction. Revised and Expanded. New York: Harper Perennial.
Reading material provided—check out our Textual Literacy Cyber Library (Moodle)!
Association in the course directory
Last modified: Mo 07.09.2020 15:22