Univ.-Doz. Mag. Dr. Dagmar Glüxam

2023S

• 160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries

2022W

• 160050 VO "… Einige der edlen Musik eigene Kunst=Wörter …". European Music Lexicography of the 17th & 18th Ct.

2022S

• 160051 SE Music of the 17th and 18th Centuries as an Imitation of "Nature" - From the Perspective of Contemporary Music-theoretical Writing

2021W

• 160051 VO A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

2020W

• 160051 VO About the So-called Notation Standard in the Music of the 17th and 18th Centuries

2019W

• 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries

2018W

• 160052 VO Rhytm, bar, and tempo in the 17th and 18th century

2017S

• 160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries

2016S

• 160028 SE The Art of Ornamentation in the Music of the 16th to 18th Centuries

2015W

• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries

2014W

• 160086 VO Articulation and Phrasing in the music of the 17th and 18th century

2012W

• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century

2010W

• 160085 VO Selected music theory textbooks in the 17th and 18th century - und ihre Bedeutung für die Aufführungspraxis

2008S

• 160355 PS Performance practice of the music of the 17th and 18th centuries

2007S

• 160355 UV Musical-rhetoric figures - Musical-rhetoric figures and "Affektenlehre" in the music of the 17th and 18th century

2006S

• 160355 UV Entwicklung des Orchesters und des Orchestersatzes - Die Entwicklung des Orchesters und des Orchestersatzes